Spring is in full swing! To celebrate, here’s another 5 tunes you can bomp. Hope you got some time in the sun this weekend. If not, consider it added to your “to do” list for the week.
SWRVN & Razz teamed up for this punchy, uptempo festival-friendly jam. This is one of those modern, EDM-infused hits that might make the oldsters in your crew cringe, but for the rest of you exhausted from Coachella, enjoy the energy!
Cruel Youth returns after her explosive debut in Mr. Watson. The new track is uptempo, less opiate related, and almost whimsical at times. Hopefully this means our protagonist is feeling better and we’ve got some sunny EP tracks to look forward to. Deeply compelling vocals anchor this sound splendidly, so enjoy it with some white wine walking through the park.
Moving Castle speeds towards the horizon, bringing some of the best forward-looking tunes around to us. Robokid pushes the ball up hill with this shimmering Future Bass tune. Inventive synth work, indie vibes, and just a drop of auto-tune attached to the vocals leads to a great hit that will most certainly perk up your afternoon.
Jon Bellion came out of nowhere with this single last week, but I assume this has Spotify Discover or Apple Music hit written all over it. This indietronica has some of the best lyrics I’ve heard in months. “There’s bones in my closet but you hang stuff anyway” is perfect for the NYC dating life if I’ve ever heard one.
This last one slaps folks, with PrototypeRaptor proving once again why he needs to be taken seriously. If you’re not into throbbing electro, bordering on dubstep, steer clear. But if you’re looking for something pounding & exceptionally well produced, I got you. I want to hear the Flying Batter Zone from Sonic & Knuckles re-done in this style, because it goes hard.
Tag Archives: PrototypeRaptor
Sonic Remix Sunday! Twin Remixes by Ben Briggs & PrototypeRaptor
If you need a break from the Coachella livestream & you had a Genesis, you’re going to like this stuff. I got the Sonic the Hedgehog theme music stuck in my head so I decided to dig around and throw down my 2 favorite remixes involving the Blue Blur himself. First up, PrototypeRaptor mixing a fun Electro remix of the Chemical Plant Zone in Sonic 2. Bumping, super high energy and authentic pad work really makes it come alive. This is one of the few video game remixes that I could see making it onto a legit dance floor. This was one of my favorite downloads at OC Remix. Apparently people liked it so much he dropped a VIP/extended remix of it, which is what you just listened to. Ben Briggs needs a huge amount of props about this. This kind of bouncey modern re-imagining of the Hydrocity Zone music in Sonic 3 is a prime example of what I think modern chip & VGM DJs need to sound like to remain relevant in the era where people are playing games on their phone as often as they are on their gaming consoles. The FX are totally authentic, the squelchy bass works great & the wait to pull you into the mega-sweet breakdown at 2:15 is executed masterfully. The drop pulls in synthy perfection that throws me back into playing the crap out of Sonic 3 and Sonic & Knuckles locked on (who even remembers lock on technology?!). The sample is from one of the Sonic cartoons and could not be more at home. Now if I could just find a chili dog somewhere.
Midnight Music: Flexstyle Drops 2 RaveCon Mixes Which Need To Be Heard!
Flexstyle, a little known OCRemix DJ/contributor, was let loose at Saboten Con a little bit ago, and we’re all better for it. Opening the live party mix with a PrototypeRaptor electrohouse banger, this guy immediately declared he was not fucking around. Mixing into a remix of my ABSOLUTE FAVORITE level music ever, really could not win more points in my book. The Ben Briggs remix does the Flying Battery Zone (Sonic & Knuckles was a damn triumph) justice and then, there’s Bloody Beetroots! I don’t know where this kid came from, but this is the first time I’ve been convinced I wanted to go to a con in years. If the tunes sounded like this? I’d be 100% down. A particularly wonderful Green Day remix helps transition the mix into original music (but not without dropping a sweet Chemical Zone Remix, with a taunting DDR sample if I’m not mistaken) half of the mix. This is another area where Flexstyle shines. The tunes are expertly produced and pushed together. I can’t wait to hear when he starts integrating his trance & bass tracks into his live mix.
Bonus set! They let him back on the decks, which is a decision I couldn’t support more. I’m not sure how to describe this. This is Nerd Rave music. This is what I wished every chiptune show was ever. Frankly, I’d just listen to 4 hours of electro, deep house, trance & glitch remixes of video game music. If you want to play synthed out West Coast bootlegs of Sonic 3 music, I really would pay you money to do that. Is that possible? This mix even brings in electro swing, which is wonderful. I think this kind of stuff can bring a lot of introverts out of their shell. It’s easy to hear something you recognize and it’s complicated enough that it’s not doofy big room anthem shit. If Big Room is the frat in the EDM scene, this is the Anime club. And man, they look like they’re having a lot of fun.
12 Tracks you Missed in 2012
So, instead of jerking around with the words best or top, I’ve decided to collect 12 pretty excellent tracks that meant something to me in 2012. Quality tunes I’m not sure got out into the greater internets but definitely deserved to, and Soundcloud gave me access to all of them. So, here they are, in no particular order.
Pacific Air – Float (TheFatRat Remix)
This is what I hope all pop music sounds like eventually. I’ll just leave it at that. TheFatRat is what I hope all of Z100 sounds like by 2014.
Flux Pavilion feat. Example – Daydreamer
Example is one of the artists that my general adoration for all things Flux Pavillion has led me to. A fantastic vocalist that links up with all of the right bass-related minds across the pond, this collab with Flux is a cadanced march of awesome. The triumphant wobble of Flux with the strongly accented & attituded vocals makes for a righteously good time, amplified by the excellent drum work throughout, especially two minutes in when it explodes into further sweetness.
Terry Gotham 