Monday Music: Ed Thomas, Free-N-Losh, Black Tiger Sex Machine, Strife II & Kidnap Kid

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Welcome to February! New Monday, same dope offering! Let’s get right into it!

Can’t say I’ve heard of EdThomas before, but the UK seems to be able to do no wrong these days. The moody vocal driven soulful delight impresses, but never overperforms.
Free n Losh are not your run of the mill production outfit. Hailing from Toronto, the syncopated, low-key track pushes into a melancholy indietronica crooner. These neo-soul & indietronica entries get better by the month. Great work from a group I’d only heard whispers about on the internets.

Kidnap Kid is one of those rare, precious artists that you are forever changed after listening to. His most recent release, Birds That Fly, is the first release on his new label of the same name. The smooth UK house vibe is perfectly produced. The ebb & flow of the energy allows for an alternating intensity that is so difficult to do well. Jamie XX & Submotion Orchestra are two of the only other artists I can think of that hang in this tier of understated dopeness.
If you were at Black Tiger Sex Machine‘s Webster Hall appearance this Friday, you probably got a better performance of this track than most. But even just the studio version is exquisite. The heavy electrostep is definitely not my usual cup of tea, but BTSM go out of their way to produce their way into excellence. The breakdown almost feels chippy, while the build is transcendent & crisp to the point of being progressive. The drop is grinding electro that I’ve not heard in months. Great work, and watch out, Black Tiger Sex Machine is going to take the 2016 festival season by storm. You’ll see.

Rounding out this week’s post is the new EP from Strife II. Strife II is one of my most favorite artists, so every time anything new from him gets released, I absolutely have to mention it. He’s my favorite liquid drum & bass producer by far. He pairs with a bunch of dope talent on the EP, featuring Identified & vocals from Rachel Jones. The trio of tracks feature his signature euphoric and symphonic vibe. The classical meets liquid meets euphoria is a feel I think the rest of the planet needs way more of. Only Truth has an almost-Rameses B thing going on, and Collide is an exceptional example of how smooth, rounded & flowing liquid can be. Infinity Saws, a clear inside joke to his own style of production, finishes out wonderful release on Subsphere Records.

Thoughts?

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