Holy crap this song. I totally forgot this existed until this classic trance post that showed up on my RSS feed. This classic trance JAM is proof of what we all used to listen to when you had to go to Virgin Records or Tower to listen to tracks off a CD from the UK or Holland that costs $19.99 for some reason. This is the era where we really had no idea what we were doing when it came to dance music videos. But then again, trance like this was seen as the real “anthem” end of the genre. So both ends of this seem crazy enough to mash together. While this reboot-looking video has enough stupid in it to explain my point, I want to note to all the younglings, this is what big room sounded like before proglectro & dubstep. And yes, it was silly as fuck. This was main-room Ministry of Sound ish. Granted, the bass was a little higher than on the wack YouTube rip, but you get my point. Be glad you live in the future. And don’t make me bust out the shitty acid house or happy hardcore to make my point. (via Stoney Roads)
Ah Space Monkey. It had drifted out of my mind for a while, as psy-trance isn’t something we get a whole lot of these days in the Tri-state area. Psycheground & others are still holding it down, but the days of the all night forest raves several times a summer are gone, never to return. I’d needed to explain what this kind of thing sounded like, so I decided to send this to a friend. This, is some of the best UK psychedelic trance you can find ladies and gentlemen. 3min in, we get the greatest sample in the history of trance. JFK’s inauguration speech slammed into ridiculous trance music, and as you can hear, it totally works. Throw this on for your friends who think they know how to rage. I like it so much there’s some extra from him for you below. Enjoy!
So, many of us have heard of Tuvan Throat singing, but a friend of mine reminded me of this ridiculousness from 2008. Combining Tuvan Throat work with hip hop, this guy looks like a bad guy from a movie Kanye tricked someone into funding. The flow seems dope enough, though we all have zero idea the hell he’s talking about. The video is bizarre in that he kind of looks like Krang (from the 90’s TMNT) and then, there’s Krang graffiti in Vladavostok, Russia, 9200+ KM from Moscow. I wonder if Sarah Palin could see this dude freestylin’ from her house. Also, Kanye Sunglasses. I’m just saying.
Every once and a while, I remember a track, an artist or an album that I’d totally forgotten about. While it’s probably an indication of my advanced age/geezer quality, it always makes my day. Some amazing track that completely exited my head and then pops back up years later. A particularly compelling new friend of mine reminded me that a progressive trance group named Hybrid existed and I couldn’t figure out why that name sounded familiar. I brooded on it until it hit me, I’d had a track of theirs on my mp3 player when I backpacked across Europe in 2005. Racing to my computer, I punched Hybrid into my media library. Lo and behold, only one track came up, and it was absolutely critical to my roaming dozens of cities across a healthy portion of the continent.
The track clocks in at 8 minutes, which more than twice as long as your standard dubstep or poplectro tune, something the younglings haven’t really ever seen. This is old school trance. As in, it came out in Nineteen Ninety Fucking Nine. That’s right, 1999, before Y2K and all the other crazy bullshit the oughts wrought. The original track was done by a collaboration between Ferry Corsten & DJ Tiesto, which lasted for a grand total of 6 tracks. Walhalla was the first single of the group and it came with a remix by Armin van Buuren and an “Echoplex” remix by Hybrid.
This Echoplex remix is exceptional, both by trance & general EDM standards. The echo’ing of the original beat, spread over minutes, slowly builds the track to a hushed but fevered pitch. The track maintains the build for easily 3 minutes without getting stilted, boring or annoying. Par for the course when it comes to old school trance I know, but these days, guidos start shouting if there isn’t a breakdown every 120 seconds. Six minutes in, the track peals into the 4/4 beat without thunder or applause, but just gallops along. Keeping pace with your expectations and (hopeful) dancing pace. There’s not a sound out of place, and Hybrid made sure that everything they wanted from the original was there, with them enough to give it their own distinctive feel. Check it out, you might like it.
This is Terry Gotham, see you on the dance floor.