A State of Trance 600 NYC was a triumph. While I can’t wait to share my expanded thoughts about the event, the music, the crowd and the entire evening, I wanted to make sure that this specific set was noted. I’ve been a fan of Ferry Corsten for years, while Markus Schulz has started exploding in my awareness only a year or two ago. The collaboration history of Ferry is impressive and the New World Punx lineup was amazing. The tracks were hard, fast and insanely well mixed. The closest ID’ing of the tracks is below, and any track that you see as a New World Punx remix/mashup or bootleg mix, just go ahead and assume it’s fantastic.
Of course, track 20 “The Digital Punks of Gotham” is my favorite unreleased track of the set. How could you tell?
01. New World Punx – Romper
02. Binary Finary – 1998 (New World Punx Bootleg Mix)
03. Markus Schulz & Ferry Corsten – Loops & Tings
04. ID – ID
05. Ferry Corsten & Bassjackers – Collision
06. Jacob van Hage – Crank
07. ID – ID
08. KhoMha – Hydra
09. Ferry Corsten – Rock Your Body Rock (Dimitri Vegas & Like Mike Mainstage Remix)
10. Dimitri Vegas, Moguai & Like Mike vs. Ferry Corsten & Aruna – Mammoth Forever (New World Punx Mashup)
11. Ferry Corsten – Kudawudashuda
12. Markus Schulz & Elevation – Finish Line
13. Digital X Music – Raptor
14. Ferry Corsten & Markus Schulz – Stella
15. Fisherman & Hawkins – Apache
16. Cosmic Gate – Storm Chaser ( KhoMha Remix)
17. Ferry Corsten – Black Light
18. Beat Service – Fortuna vs Markus Schulz ft. Ana Diaz – Nothing Without Me (New World Punx Mashup)
19. Grube & Hovsepian – Trickster
20. New World Punx – The Digital Punks Of Gotham
21. Ferry Corsten feat. Betsie Larkin – Not Coming Down (Edit)
22. Markus Schulz – The New World 2013
More awesomeness from r/quotesporn
I’ve always been a fan of hula hoops. Even more so when they strobe, glow or otherwise dazzle.
GlamTech, as a party, a cell of DiSORIENT and an artistic philosophy, was in full effect at the Warsaw. This two-room venue has been the home to GlamTech for years, but it was totally new to me, as was the entire GT experience. After picking up a native Polish beer that I could not spell or pronounce to save my life, I attempted to stealthily move my way through the crowd. This idea fails pretty hard when you’re wearing a disco ball hoodie, so I was greeted by friends and the random well-wishers who congratulated me on purchasing appropriate plumage for this specific event. The crowd that glittered with lights, mirrors and a rainbow of colors parted and I sadly realized I’d missed my BFF DJ Pony’s set when he greeted me in his amazing outfit on the dance floor. I offered my mea culpa to the gorgeous & talented fellow while trying not to be distracted by the cascading rainbows that hoopers, the projectionists & the deco wizards surrounded me with.
Even though I’d posted on this in the first wave, It’s very helpful to understand where it went and how it happened.
Orwell reminds us to never take EDM-related “journalism” too seriously courtesy of r/quotesporn once again. Happy Monday y’all!
John Milton reminds us what’s up from Paradise lost. Care of r/quotesporn, some of the best stuff on the internet right here.
I, like many of my geeky Gotham cohort, can get down pretty hard to some chiptune. Whether it’s Blip Festival, the nerdier end of Baltimore DIY, the errant anime/comic convention I find myself at hitting their dance parties, or my own secret stash of chippy goodness that no one but me ever gets to hear, I’m a big fan of the bleeps and boops. This week, I was turned onto a really fun 8bit secret here in Gotham. TWD Industries was put into my face by two of the loveliest ladies I know so it was given the benefit of all the doubts. However, upon actual review, there was no need, as the work stands on its own quite well.
I do get annoyed with poor chiptune quickly, so it was very reassuring how quickly the mix picked up and kept me going with it. If you can drop both a compelling beat and enough ambient FX that I stay entertained you’ll keep my attention, but otherwise, I’m outtie in a big way. However, the mix rolls through a bunch of fun grooves in the first 4 minutes, solidly remaining chiptune throughout, but oscillating between heavy and light/airy bleeps & bloops.
The remix at 5:19 is amazing. A chip-tune remix of the “Ecstasy of Gold,” the theme to “The Good, The Bad & The Ugly.” Yes you heard me right. And it could not work more. Watching the mix evolve from there is a delightful pleasure and it’s a fun way to ride out a Saturday I wager. Get at it chip-peeps, you won’t regret it.