Just A Gent – Pure Imagination
Just A Gent continues to blow me away. I am just going to expect every new remix & original track to be stupendous. He sits down at the piano and doesn’t get up until we’ve seen one of the best re-imaginings of Willy Wonka’s Pure Imagination (performed by Gene Wilder of course) since the film. The synth work at 50 sec rambles around in the sky and echoes through the rest of the track. A lovely fusion of sun-drenched vibe, piano and amazing future bass, this is an instant classic. I also bet you’ll get people who don’t like EDM that are really into it when they hear it. This is a great intro track for those leery friends who went to Governor’s Ball for Drake & Lana Del Ray but think deadmau5 is weird. Just A Gent is a gem that’s blossoming into one of the most exciting sounds in dance music.
Bon Iver – Perth (mi ka remix)
This remix of Bon Iver is (to quote V/Man), too chill for words. There’s a magic to Bon Iver’s tracks originally, so watching this evolve into a golden tune is a quiet joy. mi ka, hailing from Stuttgart lays his spell on you as a listener. It’s got hammock & summer sunshine written all over it. Don’t spend too much time thinking about it, just relax and enjoy. The soothing, smooth bass blends into the bird chirps and soft guitars. If you can’t find a calming breath during this song, you may need to cut back on the Red Bull. As the weekend draws to a close, simmer down with mi ka & show him some love!
Two years ago I was lucky enough to experience one of BangOn’s first events. This night to remember involved The Chainsmokers, KOAN Sound, Minnesota, carnival rides and a whole lot of good times. 2 years later, almost to the day, there I was in the Green Room, chatting with Prince Fox about future music & high fiving people who couldn’t wait to see the rising star. He had the prime set for the latest BangOn extravaganza, Soulstice.Set up at the end of Moffat street, one of the few pristine Brooklyn hoods not fucked by gentrification, the space was smartly arranged & expertly decorated. BangOn!has real production value, so anyone thinking this is the same kind of party as the outlaw/illegal raves that NYC saw in the late 90’s/early 2000’s is in for a serious surprise. The security was tight & the amenities were on point with portajohns away from the food (critical) and the silent disco near the chill space (also critical). The bar, away from the dancefloor & directly opposite the facepainting, and it faced a new feature I’ve never seen at parties: A hairdresser. There was a hair artist giving people blowouts and mohawks and all manner of dope hair. Frankly, this needs to become a standard at every party I go to. I’d love to have someone properly style my mop. Shit, this is a reason to get there early. But, the real reason we were all there was the music, and Prince Fox was there to greet them. In a word, wow. He wasted no time, playing through technical difficulties, dropping into a punchy, future set almost immediately. I’ve talked about this kid more than once, but seeing him live was an entirely new world. I was overjoyed that Prince Fox could keep the relatively ADD crowd focused. Brooklyn took his signature style of Future Pop and ran with it. I saw the crowd go from filtering in to full in 10min. Again, full main stage dance floor, before midnight. The remixes and originals came quickly, but one of the highlights was his mashup of Turn Down For What & Rick Roll. This actually got plenty of ravers concerned he was going to drop the stupendous bass of DJ Snake on them, but then, BANG, he never gave us up.
The set, pound for pound, was the best I’ve heard at BangOn! in some time, but the night was just getting started. My boy 2Melo put out a fantastic signature global bass set on the Silent Disco, and Breach made short work of the main stage. We were there for hours after Prince Fox’s set finished, as BangOn! does a great job as a selectro brand, and has for quite some time. Their A&R deserves congratulations, but at the end of the day, so does everyone else associated with the event. Start to finish a delightful reminder that quality still hides in Brooklyn. You just gotta go searching for it. This is Terry Gotham, see you on the dance floor.
Photos from BangOn! NYC’s Instagram
Methoxetamine is a drug that started as a synthetic replacement for the popular recreational drug (Ketamine), but soon found a following all its own. When Ketamine became difficult to find, some peeps decided to buy still legal versions of it on the grey market. Lots of places online sell novel psychoactive substances, especially ones that haven’t been picked up or ingested by random users yet. In 2010 people started purchasing it as a cheaper alternative to the dodgy K that was going around at the time. It went from first described to formally identified by the European Monitoring Center for Drugs in 6 months. While it’s certainly not acid, the trips online of the intensity of the experience became legendary. People report intensely disassociative experiences, powerful psychedelic rides & huge problems moving and coordinating their limbs. Continue reading
If it seems like I post every new track from Liquicity, it’s because I totally do. Maduk floats towards the harder end of the spectrum, which just gives it more to love according to a lot of my drum & bass fans out there. Even though it’s harder, it’s still liquid, it’s still that smooth vibe you’ve come to expect from the Northern European D&B. The push is exactly what it needs to be and it drives on with a surprising amount of low end. I think you’ve gotta give it up for Maduk on this, as he’s been one of the champions of Liquicity, stewarding the liquid sound for years now.