This week, I’ve got this tight little EP that I am kind of excited about. I am a big fan of non-EDM genres pulling in beats and other elements from trance, drum & bass, techno, dubstep, etc, but I get very sad when I hear good beats being wasted on bad pop. This kid got dropped on me by MrSuicideSheep, and I dashed for the EP. I wasn’t really sure if the single was just a random track or the sound. Boy was I in for a treat.
Wise words from Orson Welles
Explaining Rave Culture to Americans | VICE.
VICE dropping knowledge as usual. Fun rules, good reminders and a liberal dosage of snark for all you junior varsity party people & promoters out there.
Great look at who owns what, and how it will matter in the future of the intertrons.
Chivas, Dunhills, Coke.
What Hunter S. Thompson wrote on. Great googly moogly. It seems I have deep, drunken, raving lunatic shoes to fill. Though it is interesting he only started writing after taking acid so many hours into his day. The one gigantic meal is a special idea as well. Varsity usage. Jeez.
This is the declaration by the City of Miami that, in no uncertain terms, the second week of Ultra Music Festival is not going down. I think it’s kind of amazing that the city is contemplating being just like NO. And while there is definitely still time for palms to be greased, I severely doubt the situation is going to be cheered forward, especially with fewer than 3 months to go. The breakdown of DJs was never posted, but what strikes me was the weird lack of thinking on the part of the festival extenders. I’ve been to Ultra twice, once when it was a one day festival & once when it was a two day extravaganza. Either I’m getting older or the Red Bull is getting stronger, but the idea that people would just continue to kick it in Miami for the week then rock out again the next weekend exhausts me just thinking about it.
I think we can sometimes forget just how completely psychotic the amount of detritus, destruction and dumb-ass people an event the size of Ultra Music Festival generates. The systems created to deal with the people are masterful and work as well as they can for the generally understood “long weekend of shenanigans” that UMF generally inflicts. The Winter Music Festival is a much more polite affair, without so much of the explodey drunk of UMF. The amount of time/manpower/resources the city consumes to clean up the event must be enormous and I think they took one look at what not only the second weekend, but the incidental week of ridiculousness that was incoming between them, and went, oh HELL no.
But, so, you heard it here folks, as of now, Ultra Music Festival may be back to a one weekend affair. Any bets on whether this will change or not?
It seems that the majority of r/dubstep misjudged Skrillex and his big room dub focus. Skrillex got famous for playing the kind of hyper-aggrandized dubstep that I lovingly describe as “Transformer Porn.” When you take the sounds Michael Bay gave the Transformers and you imagine them having sex, BAM, Scary Sprites. While people can hate on it all they want, Sonny’s hard work, playing the heartland of America and irrepressible positive outlook & joy for making the music is undeniable. You can see this in his Rolling Stone interview or his acceptance speech at the Grammys. And this week, Skrillex reminded us very hard how much he respected his roots, in addition to shaking up our identity of him pretty fundamentally.
Leaving is straight up some American Future Garage. I specify as such because most of the Future Garage that people are rocking out to these days is UK-based. And the inspiration for this kind of sound and in fact a lot of other artists in the space Leaving explores is the one and only Burial. He was featured on a previous EP of the week, and Skrillex has thanked/named Burial & the rest of the Brixton Dub crew for the work they did to blaze the way for Skrillex to shine and bring this stuff to America’s heartland. The track not only pays homage to Burial, but it does so in a very American, Skrillex-esque way. The signature style that allowed him to shine so brightly is being put into this minimized, stripped down beat, groove & heavily modified sample which works perfectly. I can’t wait to see what effect this has on Skrillex’s approximately 4 billion listeners.