Monday Music: Kenneth Bager, Jesse Futureman, Peter $un, Edwin Raphael & Brutalist

kWsHziaNow that we’re in the thick of the “stuck to your chair” heat here in NYC, I decided to take a break from the throbbing electronic sounds of festivals, and serve up a dose of more analog vibes. Classic guitar, hip hop, indie, lighter drum & bass, and even a tune from a singer-songwriter. Cool off, slow down, and enjoy! Big ups to Stamp The Wax for providing 2 of the 5 tunes this week. They’re definitely one of my crucial daily reads.

Kenneth Bager’s Music For Dreams label has served up some exceptional Balearic, a vibe that some of my younger readers might not be familiar with. Essentially, the lighter, Mediterranean, ebb & flow feel that keeps you moving, but never presses you to dance or make a big show of it. Sunset over Hobro brings together guitar, accordion and soft, sunrise bass pad work for a relaxed intensity that pulled me in immediately. If it intrigued you as well, hit up the album on iTunes & Spotify.

Jesse Futerman, out of Toronto, slid this tune into my reality thanks to Stamp The Wax, and we’re all better for it. The lush, leisurely, morning jam deserves your coffee break or PokeStroll. The squelchy synths never get too aggressive, with a funky melody melting all over the beat. The muted trumpet & bass guitar give the track a vintage feel that I cannot get enough of these days.

Switching gears entirely, but staying at the same tempo, is this cut off of Peter $un‘s new mixtape, Paradise Is A Day Away. It’s been a minute since I repped rhymes, but this was too good to ignore. The heavy bass & ethereal feel seem to match the not-aggressive, but still wicked flow. It’s almost got a tinge of blues which is rare these days. Get at it.

Edwin Raphael does exceptional work here. The guitar soothes, the voice soars, and that’s all you need. No extra wacky synth work, no house beats, no autotune. Just a boy & his guitar, singing his heart out. Enjoy it with someone you love.

Rounding out the list is Brutalist, a group that wins for best new act name of the week, but also really nails it here on Strep. I expected the tune to be way more aggressive & brutal, but it’s a relaxed stroll through piano chord synths, stuttering bass & gorgeous chopped up vocals. Dig in and thanks to Stoney Roads for making sure I didn’t miss it.

Thoughts?

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