Monday Music: AlunaGeorge, Shlohmo, Brig, Mall Grab, Hight

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This week, like the truck hauling the truck, I’m bringing you a quintet of sleeper hits. Some from artists you know, some from those you’ve never heard of, all quality. Let’s get this show on the road!

AlunaGeorge is one of those eternal talents that you’re glad you’re alive to experience. The swaggering, effective bass saunters along, making room for the soaring vocals that take center stage early on. The tune lurches into some Future R&B that is liberal with notes of hip hop, big beat swing, and some vintage jazz that I’m really digging. This tune speaks for itself as it walks across the dance floor. Enjoy it!
I’m so pleased to be able to bring this to your ears. An unreleased Shlohmo track from 2010 has been uploaded by the maestro himself, and it is a masterpiece. It’s stunning in its dreary beauty and I’m so happy it’s been released. The sloping, syncopated indie bass is something only Shlohmo could make and frankly, your day will be better for it. It’s a B-side to Bad Vibes, an old hit of his, and I can’t wait to know what he called it.
I don’t know where Brig came from, but they’re perky as fuck. Since many corners of the music internet are up to their necks in synthwave, Brig brings a fresh push forward from those decidedly 80’s roots. Extreme is dancey, scintillating bubblegum electro pop, with a little Outrun and space lasers feel. The synth  twangs and slaps are effective, while being fun as hell. Not the most cerebral tune, but honestly, it’ll wake you up better than that oppressively bubbly co-worker. Someone called this Pirate Bass, and I’m kind of ok with that.
Switching gears entirely, Mall Grab slaps. That’s it, in a nutshell really. This is one of those white label records both old school & noob DJs will like. Honestly, if you’re spinning House, you need this track. The classic rhythms roll over the impressive, potent House bass beat so well I had to check to see if I had grown an afro. This is likely to turn a lot of heads on the dance floor, no matter how many people are dancing. It’s a supremely effective mid-set tune, with a bunch of in/out mixing points to ensure you showcase your favorite part of the song. I’m a huge fan, and it takes a lot for me to throw out something so simple on this here blog. Get down to it.
Yo, Hight, is tight. Now that I’ve gotten that out of my system, this sunny, almost-too-late single by Hight is my favorite of their first releases. The dance pop vibe is nothing revolutionary, but it has fun with itself, and does quite well at what it sets out to do. The odd tonal shifts in the chord progressions kind of make it feel like I’m walking along Venice Beach on cough syrup or something. And oddly, that’s not a bad thing. Vocals piercing through as I push forward…sounds like not the worst day. Enjoy the tune and big ups to VMan for the looks on this.

Monday Music: Piecey, Madeon, Porter, The Partysquad, Kllo & Delamare!

NIAoydCThe summer is almost over, but the beat doesn’t stop! This week, there’s a bunch of different stuff for you to enjoy, orbiting the Stoney Roads universe, but from all over the dance music spectrum. If you’ve got a favorite, feel free to blow up the comments. And if you absolutely hate one of them, blow up the comments as well!
Off of Stoney Roads Records, this mellow, warm deep house tune is exactly what the bright shining day needs. Piecey delivers a smooth, round, delicious vibe is an exceptional offering from down under. The build is almost imperceptible, with the drop pulling you back into that effortless groove. Great job as always Stoney Roads.
Porter Robinson! Madeon! Together! That’s really the only thing you need to know about this track. For everyone still reading that hasn’t jammed on the play button, it’s a soulful, sonic journey. The kind you wish was associated with a SNES RPG and/or a summer from High School. Gorgeous, rippling indie progressive, washing over you, as only Porter & Madeon can provide. Are they touring back to back yet? Cause that needs to happen.
There’s a lot of generic party jam stuff out there, but I find The Partysquad (yup, that’s their name) actually stuck the landing on this one. While lots of tracks in this tier are gimmicky, this one never fails to innovate and actually makes for an enjoyable grind of a track. It’s sweaty, bass-heavy, pulling into some surprisingly competent syncopated bass. Great pick up off Rebel Yard for anyone still hitting up big festivals for the year.
Delamare really hits it out of the park with this LissA remix. The hopeful, indie bass shines forth as LissA‘s original vocals are celebrated, never drowned out. It’s given a jolly, lilting feel that seems at home with the Piecey from earlier. The bouncey, syrupy bass that slaloms through the piece is a welcome distraction from the “Future House” rumble strip that’s streaked across the dance music community. This Zimt remix rolls along, delivering without overwhelming. Great work.
Kllo rounds out this week, keeping the indie bass train going. This blossoming, gorgeous tune drifts along, bobbing chords and shimmering back beats mixing so effectively. There’s a lot of good stuff going on in this track, and it really rewards obsessive listening. This group most certainly deserve more of your attention, as it’s earned quite a bit of mine.

Monday Music: Trivecta, Flosstradamus, Rameses B, Kilter & Steven Tyler!

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This week we’ve got a quintet of sweltering tunes to match the heat. Epicstep returns in expert fashion, some potent vibes present themselves & Steven Tyler’s new song! Because we all apparently missed the fact that Aerosmith’s frontman released a new track last month.

I freaking love this. Trivecta‘s Labyrinth needs to open for Seven Lions immediately. This vocal epicstep fuses worldbeat and dubstep with elements of metal, producing a soaring, spectacular refresh of the cinematic dubstep genre. This is an instant classic for me, and I hope you as well. Trivecta totally sticks their dismount, with Miyoki providing vocals so good you might confuse her for a Valkyrie.
Flosstradamus has redeemed himself in my eyes, pivoting away from the rage-filled vibes of the last couple of years, deploying a soulful track that FKi 1st & graves add additional layers of dopeness. It’s both massive and melancholy. This kind of post-step can get super bro’y, but Flosstradamus has found a very happy medium that seems to fuse the best elements of Future-inspired hip hop, dubstep and R&B. Great work all around and I eagerly anticipage a collab between Floss & Desiigner.
New Rameses B! And it’s No Man’s Sky themed! I mean, that really should be everything you need to know, but it’s up to his usual standard of dreamy, impeccably orchestrated vibes. Everything Rameses B touches turns to gold, and now I want to play the game even more.
Kilter pushed themselves onto my radar with this dope ass introduction. They Don’t Know Us hits the sweet spot between Indie & House, creating a fest ready tune that doesn’t slack on the vocals. The supporting bass is surprisingly massive and probably sounds great on big speakers. But, unlike a lot of its competitors, the big bass doesn’t drown out Kilter’s vocal work, which is a lovely entry into the world of indietronica. The Aussie will be on your radar in a couple of months, I guarantee it.
Some of you are probably wondering whether I got hit in the head this weekend, but trust me, give the tune a listen. It’s got a little more folk & indie influences than I expected, and if this is the direction Tyler can push Aerosmith, it’ll be a great way to reintroduce the band to a new generation of listeners. Surprisingly contemplative, which I think is a great move for Steven Tyler at this point in his career. It may not cause headbanging, but it does rock.

Monday Music: Hybrid Minds, The Aston Shuffle, Sim Gretina, Just A Tune & Unsolved Mysteries

CaptureComing at you with a couple of massive, massive tunes this week. These are definitely get up and dance tracks, in a couple of different genres that you’re definitely not expecting. Get your hazmat suits on and get sweaty! Hybrid Minds brings out the smooth, rolling delicious liquid drum & bass, care of UKF. The meditative, leisurely build meshes with GRIMM‘s vocal perfectly, creating a lush, silky track that never rushes or gets in your face. It’s most certainly a dance track, but without the buzzsaws or aggro-feel that so much D&B presents. Dance in the sunlight to this. Your feet will thank you. The Aston Shuffle has been making an excellent name for themselves over the last couple of years. This tune has “Better Than Disclosure” written all over it. The UK Garage/House fusion Disclosure made famous has attempted by many as of late, but very few artists can stick the landing. The Aston Shuffle is a rare exception, as Make A Wrong Thing Right proves. Micah Powell’s excellent vocals add to a track that’s damn near dazzling. The wobbly house feels great, keeps you grooving, and never lets you down.
I discovered this Sim Gretina over the weekend and it’s guaranteed to put a smile on your face. Electroswing infused with Aladdin samples need to be an entire genre of music. Can we please start dropping Robin Williams samples into as much music as possible? Because he makes everything better. Throw this on and I bet your entire family will be grooving to it. Life is your restaurant indeed.
Just A Tune came out of nowhere with this track. It’s got some of the most forward thinking sound design I’ve heard in years. The drop seems to fuse elements of electro, moombahton, worldbeat and future bass. The entire track is more massive in a way that definitely needs some attention. Frankly, I need to hear more of this and have no idea where to find the stuff.
Hey You Let’s Fight threw something at me I did not see coming, a Drum & Bass remix of the Unsolved Mysteries theme. And it’s a good one! It’s ominous and totally generates the chills that the 90’s show evoked. A fun tune, over way too soon, but I had to make sure you heard this.

Ten Questions With Terry Gotham: 2Tone Disco

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Interview By Terry Gotham

1. How’s 2016 been for you two so far? Any wild party stories from touring or festival sets you’re looking forward to?
Omni – 2016 has been great. So many great things have happened but I think being an official artist at sxsw for the first time takes the cake. That whole week was just overwhelming in a good way.

James – Yea SXSW was nuts this year I feel it was a tie between that and Magfest. Magfest was giant convention with a 24 hour arcade (pretty much our heaven) and SXSW we were official artists so that was pretty crazy.

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Monday Music: Trademark, Elephante, A-Trak, cln & Jaya Prime!

FGxq4It’s another scorcher here in the city, so I decided to go with it and pour it on. Trademark brings the sun, Elephante smooths along massively, Jaya Prime bristles perfectly, A-Trak lays down the vintage funk and cln pours scintillating indie feels. San Dimas High School Football Rules!


Trademark is a rare treat now that we’ve passed the era of Pop Mashup. As sad as that is, a couple of acts out there keep the fires burning. Trademark throws together Ariana Grande, ZAYN, 3LAU & Kap Slap to great effect. This mashup is exactly what a summer anthem should be. I will continue to hope for the day when Dance Pop & House beats rule the air waves once again.

A massive tune, Elephante continues to prove that his rags-to-riches story is well deserved. The bass dovetails with the soft percussive pad work as Nevve‘s silky vocals stroll along. This has an August Sunset vibe to it, but when you’re about to write it off, the bass drop knocks it out of the park. Sultry while peppy, with just a touch of melancholy.

Bob Moses remixed by A-Trak. No, seriously, what other reason do you need. A-Trak brings the French house feel to the classic by Bob Moses. There’s a strong smell of Daft Punk pushed through the ever present funk filter of the Champion of Fool’s Gold himself. It’s a triumph and it probably flew under everyone’s radar. Here, just to make sure you didn’t miss it too.

cln is a low-key star from down under that I’ve been tracking for a little over a year. His North American tour is eagerly, eagerly anticipated, as is Mist. The fusion of chip, indie and vintage melancholy works perfectly and makes for a staggeringly potent wave of feels. Great work from the Brisbane native, so happy you’re coming to this side of the planet to drop this kind of vibe on Brooklyn.
I told you I’d be shoving the rest of Jaya Prime‘s discography into your face & I’m a man of my word. This inky, morbid chillstep featuring Peter Weyland from Prometheus is exactly what your goth party scene needs. The murky, staccato beat plays off of the exceptionally well used sample to create an atmosphere second to none. Jaya Prime always sticks the dismount, so put it into your face and save it for a day you need to walk with purpose through a crowd in the rain.

Monday Music: Kenneth Bager, Jesse Futureman, Peter $un, Edwin Raphael & Brutalist

kWsHziaNow that we’re in the thick of the “stuck to your chair” heat here in NYC, I decided to take a break from the throbbing electronic sounds of festivals, and serve up a dose of more analog vibes. Classic guitar, hip hop, indie, lighter drum & bass, and even a tune from a singer-songwriter. Cool off, slow down, and enjoy! Big ups to Stamp The Wax for providing 2 of the 5 tunes this week. They’re definitely one of my crucial daily reads.

Kenneth Bager’s Music For Dreams label has served up some exceptional Balearic, a vibe that some of my younger readers might not be familiar with. Essentially, the lighter, Mediterranean, ebb & flow feel that keeps you moving, but never presses you to dance or make a big show of it. Sunset over Hobro brings together guitar, accordion and soft, sunrise bass pad work for a relaxed intensity that pulled me in immediately. If it intrigued you as well, hit up the album on iTunes & Spotify.

Jesse Futerman, out of Toronto, slid this tune into my reality thanks to Stamp The Wax, and we’re all better for it. The lush, leisurely, morning jam deserves your coffee break or PokeStroll. The squelchy synths never get too aggressive, with a funky melody melting all over the beat. The muted trumpet & bass guitar give the track a vintage feel that I cannot get enough of these days.

Switching gears entirely, but staying at the same tempo, is this cut off of Peter $un‘s new mixtape, Paradise Is A Day Away. It’s been a minute since I repped rhymes, but this was too good to ignore. The heavy bass & ethereal feel seem to match the not-aggressive, but still wicked flow. It’s almost got a tinge of blues which is rare these days. Get at it.

Edwin Raphael does exceptional work here. The guitar soothes, the voice soars, and that’s all you need. No extra wacky synth work, no house beats, no autotune. Just a boy & his guitar, singing his heart out. Enjoy it with someone you love.

Rounding out the list is Brutalist, a group that wins for best new act name of the week, but also really nails it here on Strep. I expected the tune to be way more aggressive & brutal, but it’s a relaxed stroll through piano chord synths, stuttering bass & gorgeous chopped up vocals. Dig in and thanks to Stoney Roads for making sure I didn’t miss it.

Monday Music: La Mar, 2ToneDisco, Cade, Hotel Garuda & Lexy Panterra

34 - c7bGXQeWe’re in the thick of the sauna that is Summer in New York. So to cool off, here’s your regular quintet of tunes, upbeat, yet still relaxed, all from excellent emerging talent. Enjoy with a cold drink and a skip in your step!

Sydney duo La Mar surprised me with this one. A slow, crooning start pushes into a delightful indietronica vibe, complete with the vagaries of Asian influences, soft vocals, and some relaxed bass. Can we please start hearing shit like this on the radio in America please?!

Since everyone & their mother is playing Pokemon Go, I figured this week’s tracks had to include at least 1 tune that screams JAPAN, and 2ToneDisco are happy to provide. The fusion between J-Pop, chip and glitzy West Coast house is bouncy, peppy, but still manages to nail the the breakdown at 2min in. All in all a great effort from 2ToneDisco, so now I’ve gotta find a way to interview these cats, especially after their dope JetSet Radio remix.

Hotel Garuda has been moving up that festival booking ladder steadily. Their sound is exactly what so many people need in their day/week/festival, so I couldn’t be happier for them. This sunny remix of the hit by Kaskade & Felix Cartal takes the scintillating vocals from Ofelia K and puts a solid, fest-ready house backing under it. It won’t blow your mind, just make you relax a touch mid-set.

Lexy Panterra continues the smooth, indietronica vibe in effect this week. The soothing vocals, vaguely garage-esque beats, and a distinct lack of audio modulation/auto-tune makes for a great chill/relaxation tune, or for your super secret playlist for getting down.

CADE is a new arrival on my radar, but has an EDEN/Stephen thing going on, so they’re a welcome addition to my indietronica stable. The sweeping chord shift at 1min in is exceptional, showing that heavy modulation can work, especially if you’ve already got chops. You can feel the West Coast influences on this track, but CADE still holds his own, bringing a unique sound to a field that will be very crowded in a couple of years. Indietronica is the future of pop, you heard it here first.

Monday Music: Alexander Popov, Makam, SG Lewis, Renard & Norfair!

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Now that we’ve finally reached summer proper, we can push into the perkier, punchier side of the music spectrum. A bunch of genres are coming your way, so get your office dance party shoes ready!
Alexander Popov is one of those gems east of the Danube that the West desperately needs. His masterful use of anthem elements in his hard trance create a post-big room feel that has already found a home in A State of Trance & other trance podcasts. I’ve blogged about him before, and I’ll totally be blogging about him again, so strap in & enjoy the ride.
Stamp The Wax coming at you with a low-key stunner of a tune. This slow-building, simmering house track never gets in your face, but delivers, especially if you’re the type of dancer who picks up the beat minutes before the rest of the crowd. It pulls into a delightful, uptempo jam that would feel at home in dozens of venues across the city. Prime DJ material by Makam.

SG Lewis is slowly getting the attention he deserves, and after collabs with people like Gallant, that climb should accelerate significantly. Shimmering vocals support a groovy, upbeat bassline, funky guitar work and strong indie sensibilities. It breaks into a gorgeous, disco-infused indie track that should get quite a lot of love in the coming weeks. You heard it here first!

This retro track got stuck in my head over the weekend, so I had to share it. Renard, now LapFox reworked this with another artist, and I gotta tell you, I can’t get enough of this sound. It’s terrifying to music newbies, but the fusion between chiptune & breakcore will always bring a smile to my face. The nostalgia is in full effect here, but the broken bass & beats give it a totally modern vibe that only the best of the Mega Man X soundtrack came close to approximating.

Norfair comes at us with a nightcore remix of Above & Beyond. Remixing AvB is not easy and if you mess it up, you’ll have their legions of fans howling for blood in between bouts of crying over AvB feels. However, I think this re-work has enough going on with it to earn respect. This uptempo remix celebrates the original AvB elements while pushing it into more rave friendly territory. Which gives all of us without room for a piano on stage next to the decks a chance to get those AvB feels into the crowd without reducing them to a whimpering mess. Great work by Norfair, can’t wait to see what he does next.

Memorial Day Music: Prismo, Petit Biscuit, Krewella, Hybrid Minds & Sarah Silverman

MilpoolSummer has arrived all at once! To celebrate the long weekend, new tunes from Krewella & Hybrid Minds, two rising stars Prismo & the 16yr old rising star Petit Biscuit, and a hilarious send up of “going out” anthems by Sarah Silverman I somehow missed from 2013. Bomp these tunes in the office if you’re working, or by the pool if you’ve taken the day!

Rishty continues reminding everyone why you can’t miss his posts on TSIS. I’m really hoping the Houston native Prismo makes it out to the East Coast, as his production chops are stellar. Coexist manages to be bassy, poppy & fest anthemy at the same time. Guitar chords, strong vocals and a delicious punchy bassline make for a fantastic introduction to Prismo. Now I really want to know if the name comes from Adventure Time, don’t you?

When a producer clears 100k followers on Soundcloud, smart bloggers take notice. When a producer clears 100k before they’re 17 years old & reaches #1 on the French iTunes Electronic charts with his last single, you put down the bong and press repeat. Petit Biscuit needs to get on your radar right now. The kind of smoothness evokes some strong feelings of Kygo, but it’s distinctly not tropical. To be clear, the piano and guitar is all him, so let’s make sure we don’t think of him as a bedroom producer. A fantastic, shimmering tune that glides along in the sun, with drizzles of vocals and hopeful xylophone vibes. Is that a thing? Cause if it’s not, it should be.
Krewella’s first long-form release since the departure of Rainman made a bit of a splash recently, getting the coverage the headliner deserves from the EDM blogosphere. While a lot of sites showcased the one or two main singles, the 2nd half of the album really caught my eye. Marching On specifically. The combo of their signature vocals & post-EDM sensibility layers over a blues’y back beat. I think it’s a sleeper track that’s going to find its way into a bunch of festivals this summer. DJs will drop the almost rock, almost hymnal break into their sets to keep the energy going without laying on the cheese, you’ll see.
I fucking love Hybrid Minds. They make some of the best, smoothest drum & bass I’ve ever heard, and I listen to a LOT of d&b. Their new releases are consumed almost instantly, and Fade was no exception. Gorgeous piano work supports Katie’s Ambition, who provides excellent vocal tracking in her own right. Add onto that a drum & bass beat that has been perfected by Hybrid Minds to be as heavy as it can be without being aggro. Delightful from start to finish.
And now, for something completely different. Sarah Silverman employs Will.i.am and drops a send-up of “Shit’s Gonna Be Epic” anthem tracks that I cannot believe I missed in 2013. This shit is kind of hysterical, with Sarah littering the music video with her signature gross-out, snarky & profoundly true opinions. I’m not going to spoil any of it, so get at it, then shout her out on Twitter. Don’t ping Will, cause he can stay in 2013.