EP of the Week – Generous by Hostage

Origami Sound is fast becoming one of my favorite indie labels. Their choices are incredible and different in ways I’m only starting to appreciate.

A four-track joint, the EP is done by a Scotsman (allegedly) called Hostage. His take on lush, deep house is a surprising but welcome one. The tracks are groovy and possess an almost liquid quality. There’s a smoothness to them that evokes well dressed people in expensive neighborhoods looking cool while searching for meaning. Zephyrus starts out with this deep, round sound and keeps reminding me of a special kind of party. The one you’re not quite sure how you ended up or why you’re there, but you end up staying a while because it’s just a bit more chill than you expected, so there’s no need to rush.

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Ten Questions with Terry Gotham: DJ Pony

1.Was there a moment or a time when you thought to yourself “DJ, that’s gonna be my thing!” or was it something more gradual? I don’t know if it was so much a moment of realization. It was more, as long as I’ve followed secular music, you know, growing up without secular music, growing up on Christian music, classical music & a little bit of country and oldies. In high school I discovered electronic music…it was around the time electro-clash was popular in New York, in the Brooklyn/Williamsburg scene & I was in Kansas. And I was just like, “Fischerspooner’s like the coolest thing,” and was into weird stuff like Ms. Kitten & the Hacker. You know, little bits of that. I discovered Paul Oakenfold’s Great Wall album in high school. That was the first dance album that I discovered that I really fell in love with. So yea, that was how I started into electronic music.

2. If you couldn’t spin house/deep house, do you have any idea what you’d do? Do you have something you like besides your bread and butter? I don’t consider myself a deep house DJ, I consider myself a PonyStep DJ. It’s not all deep house, I play a lot of deep house but I mix it up. I throw in tech house, progressive house, some indie electronic stuff that kind of fits into house sets…if I couldn’t play deep house at all, I would throw in whatever I found that I liked that wasn’t deep house. If I was shut out of house entirely, I would just move into techno, progressive tech & some progressive trance stuff. I play progressive trance slowed down to a progressive house BPM sometimes and it mixes really well.

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