I almost fell down when I heard this was happening. A real, live, actual Hospitality night here in NYC, and at a club that doesn’t make me cry. That’s right ladies & gentlemen, Slake is hosting three of my favorite Hospital Records DJs first Friday of March. The talent assembled here is simply stunning, but before I dive into the stupendousness that is the three of them, I wanted to shout out Slake for making this event happen. It seems they’re the one of the only clubs taking risks on talent these days, bringing in stuff other than craplectro, big room & VIP house. I hope they’re keeping the lights on with this, because it’s one of the things you hope make them the cash they need to stay open & keep doing it. But, onto what you’re still reading for:
This is a set of previews from Nu:Tone’s latest album, from Nov. 2014. It’s the drum & bass you used to write home about to your best girl while you were fighting in the struggle. The lightness that Nu:Tone is able to issue forth doesn’t sacrifice any of the dope jungle, liquid or soulful roots you need in a proper D&B album. This may seem like surface stuff, but put the whole album into your world, and you’ll find a surprising amount of depth and throwback themes & vibes to turn your head while you groove.
Metrik dropped an album about 5 months ago, but it contained one of my absolute favorite tracks of 2014, Make The Floor Burn. The album is rapturous joy, a sonic journey that most producers should spend a semester studying. The progressions, chords & bass are unmatched, except by other members of the Hospital Records stable. When London Elektricity says he’d take a bullet for the record, you know it’s not something to ignore.
Bringing up the rear is the irreplaceable Etherwood. Etherwood creates drum & bass that I can only describe as crushingly beautiful. I would go on about his attention to detail, deep understanding, or perfectionist production skills, but really, that would just be more time you spend reading this and not listening to his album preview. So, go listen to that. When you’re done, here’s some icing for your drum & bass cake.
DJ Dali is one my hometown favorites that ensures parties like this actually happen. He & Nicky Twist going B2B on some d&b will be a sight to behold, and my Konkrete alumni know what I’m talking about. Cameron Kush holds the record for the weirdest set I’ve heard at Slake that maintained a full dance floor, so I’m always interested in hearing what he’s got cooked up for us. Tickets can be purchased here & the event info is right here.
Update! Dali & Alex English have dropped another D&B mix to get you hype for Saturday night. Respect!
(I’m going to be covering this for ElectronicNightLife later this month, and if you’re interested in the harder end of the dance music space that doesn’t involve diplo, you’re in luck. This is going to be an astonishing night of trance, with a focus on hard & psy-infused variants I’d wager. This is going to be a big one, so don’t miss it,)If you’re not at OpenUp100 on January 31st, you’re going to be missing something very special. Simon Patterson, the trance genius he is, realized what NYC hasn’t had since New Years Eve last year. Astrix hasn’t been back since his legendary performance with Infected Mushroom at Best Buy Theater. Boy have we missed him. The Israeli psytrance guru has been knocking clubs & parties around here on the East Coast for over a decade (as my ticket to his performance at Nation in DC back in 2004 reminds me). He’ll be bringing his signature brand of hard trance & psy-trance to the stage of Slake, the increasingly crucial venue for people who can’t tolerate big rooms here in NYC. Here’s one of his better progressive & psy mixes to sink your teeth into.
It’s hard to introduce Simon Patterson properly. When you’ve had 17 straight Beatport #1 releases, explaining how dope your sound is can get kind of tiring. Open Up has become one of the most listened to DJ podcasts, especially in the trance & psytrance arenas. This guy is going to do some amazing work on the 31st, I have no doubt in my mind. As a vintage (read: old) fan of this tempo, space & genre of music, I’m gonna be raging hard all night. If you can’t figure out why, check out his mixes here:
Get tickets here and I’ll see you guys there. This is definitely going to be one for the record books. Psy is so hard to come by in NYC & if you’re into the genre but haven’t heard either of these headliners play live, you owe it to yourself to check this out. Just in case you don’t believe me that this is a match made in heaven, check out a collab between Simon & Astrix. It is some potent psytrance, and that’s what I know we’re going to be served up all night at Slake. Esscala has been killing it with these bookings lately, and this event is going to ensure they start 2015 with a bang.
As Verboten continues to kill it Thursday, Friday & Saturday nights, one of the big secrets about the spot is their surprisingly great brunch. In case you find yourself in the area after a hectic Friday night, or if you’re going to be up for a race, yoga or some other random non-hedonist purpose, check it out. Talon & Claw is a new production group & DJ collective based out of BK, doing some interesting work in art & design in addition to phat beats of course. If you missed their Wednesday night jam called Outre, check the latest mix from it and be jealz of people who don’t need to be “with it” come Thursday morning.
Dopeshoes is one of my favorite DJs that you haven’t heard enough about. I showcased her on Hometown Fire a while back, but she’s kept grinding away being awesome. Her addition to the Verboten day party means they know, as well as I do, how well her signature deep, sexy, sophisticated sound will do at Verboten. It’s seriously a match made in tasteful bass heaven.
Cooper James is the newest addition to the Talon & Claw collective, and for good reason it seems. His recent podcast for T&C showcases a tight, almost fidget’y style which will go far as the pendulum swings all the way back from Big Room.
Should be a fun, delicious time. Don’t get drunk off the mimosas, get drunk off the bass.