Monday Music: P-Buddy, Sciahri, Flume, Meganeko & Julio Bashmore!

Even though my city continues to dig out from Blusterfuck 2016, I’ve got dope tunes to help you melt the snow away. Strong basslines dominate this quintuplet, so let’s get up and at them!


P-Buddy busts into my awareness with this remix. It’s hard to out-groove Major Lazer, but P-Buddy does a really good job reworking Be Together. This has Groove Cruise written all over it. A solid Future Bass/Trap remix of the original, the touch of tropical on the side that’s added gives it an almost synthetic feel, but it totally works in this track. Also, the last 20 seconds need to be way longer, but the producer only has 29 followers on Soundcloud. So let’s change that.

I don’t usually list full EPs on my music posts, but I had to make an exception in the case for Behind The Line by Sciahri. Attention deep, tech & minimal house DJs, this is needed. It dropped 3 days ago and it’s 2 A & B sides of solid tunes. Eremite is crisp, scintillating while simultaneously murky and driving. Ambiguity oozes classic vibes and is an understated gem. Sublunar & Paranoia are both impressive in their own rights, so I found myself just having this EP on repeat. Sweet dance around your apartment music, but if you’re a DJ in NYC and you drop beats in this space, make sure to pick this up. The dance floor will thank you. Great release by Opal Tapes.

Stoney Roads reminded me there was new Flume. In case you didn’t know, I’m reminding you. There’s new Flume. It’s good, like old Flume. You really could keep reading words about me trying to describe the wonderful that is his Aussie Bass goodness, or you could just listen 😀


Switching gears entirely, here’s a ridiculously good dance remix from Super Mario World on the SNES. I’m the coolest music blogger you know right? Posting VGM EDM remixes? All kidding aside, gotta give it to meganeko on this one. It’s an exceptional re-imagining of that Ghostly tune from so far back in the day. I could hear this at all those Anime/SciFi con raves big time. The people at OC Remix continue to hold it down, so, show them some love as well.


Rounding out the list with one of the funkier tracks in recent memory, Julio Bashmore delivers. This disco house stunner of Holding On features Sam Dew on vocals and a magnificently relaxed vibe. It gives me hope for summer. Put it on and lean back. Don’t worry y’all, we’ll get back to the light soon.

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Ten Questions With Terry Gotham: Flexstyle

(So happy to be posting this! Flexstyle has been one of my favorite artists innovating in the dance music space for years now, and I’m honored he agreed to talk about his work & ridiculous new album, which I’ll be yammering about shortly.)

1. Tell us about your new album Perfect Getaway! What can your fans expect from the 15 track extravaganza? More than just 15 tracks, actually! There are 15 tracks officially on the digital album, but there are also a couple of bonus tracks included as well with some Oasis remix contest runners-up. Aside from that, this may be the most eclectic album I’ve ever released—certainly stays true to my name and mission of being flexible in the styles that I create! This album contains both original and remix work that I’ve completed over the last few years. It contains appearances by video game remix superstar and entertainer extraordinaire Ben Briggs, versatile EDM and VGM cohort Jamison Randall, my good friends Airdrift and dmGuillotine, and many more. In short, expect more of the same, but different! DnB, downtempo, trance, vocal synthpop, electro, progressive house, dubstep, trap, and breakbeats all make an appearance.

2. How did you join OCRemix and start doing VGM remixes? OverClocked ReMix is probably the main “home” I have as a musician, and I started participating over there in…I want to say about 2008? I got my first posted mix on the site in early 2010, I believe, after a couple of rejected mixes and a lot of participating in various competitions and events. That’s pretty much the best way to get posted over there, by the way, is to keep trying and keep participating in the community. I’ve always loved video game music, so it was only natural that I found the site and started participating. I think it was after seeing a writeup in a magazine that I actually first heard about it—might have been Computer Music or something like that. So, to properly answer your question, I don’t really remember exactly how it was I joined up, but it was definitely meant to be!
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