1. How’s 2016 been for you two so far? Any wild party stories from touring or festival sets you’re looking forward to?
Omni – 2016 has been great. So many great things have happened but I think being an official artist at sxsw for the first time takes the cake. That whole week was just overwhelming in a good way.
James – Yea SXSW was nuts this year I feel it was a tie between that and Magfest. Magfest was giant convention with a 24 hour arcade (pretty much our heaven) and SXSW we were official artists so that was pretty crazy.
So, if you (like I) didn’t party in the 90s you probably missed the crazy world of Rave Flyers. Some genius decided to start collecting these and now there’s a giant trove of them online here. I’m just going to leave this here, remind everyone that we used to listen to happy hardcore and a whole bunch of wacky genres that we don’t speak of anymore. In case you want to know what people did to advertise parties before Facebook, Twitter, Instagram and parties could go until mid-morning. (via If Only UK)
There really are no words for this. My only questions are: how much, how is the food and can we go? Just watch & scratch your head. (via
(So happy to be posting this! Flexstyle has been one of my favorite artists innovating in the dance music space for years now, and I’m honored he agreed to talk about his work & ridiculous new album, which I’ll be yammering about shortly.)
1. Tell us about your new album Perfect Getaway! What can your fans expect from the 15 track extravaganza? More than just 15 tracks, actually! There are 15 tracks officially on the digital album, but there are also a couple of bonus tracks included as well with some Oasis remix contest runners-up. Aside from that, this may be the most eclectic album I’ve ever released—certainly stays true to my name and mission of being flexible in the styles that I create! This album contains both original and remix work that I’ve completed over the last few years. It contains appearances by video game remix superstar and entertainer extraordinaire Ben Briggs, versatile EDM and VGM cohort Jamison Randall, my good friends Airdrift and dmGuillotine, and many more. In short, expect more of the same, but different! DnB, downtempo, trance, vocal synthpop, electro, progressive house, dubstep, trap, and breakbeats all make an appearance.
2. How did you join OCRemix and start doing VGM remixes? OverClocked ReMix is probably the main “home” I have as a musician, and I started participating over there in…I want to say about 2008? I got my first posted mix on the site in early 2010, I believe, after a couple of rejected mixes and a lot of participating in various competitions and events. That’s pretty much the best way to get posted over there, by the way, is to keep trying and keep participating in the community. I’ve always loved video game music, so it was only natural that I found the site and started participating. I think it was after seeing a writeup in a magazine that I actually first heard about it—might have been Computer Music or something like that. So, to properly answer your question, I don’t really remember exactly how it was I joined up, but it was definitely meant to be!
Something like this doesn’t come back very often. My boy Agent Orange found this & it’s crazy good. This was recorded at one of the dopest places to exist in NYC. Twilo will never come again, and with the current legal infrastructure in NYC, there is very little any of us can do to change that. However, we can enjoy two hours of some of the best music spun on the island of Manhattan, ever. This mix spans easily a dozen subgenres, with some great gems that will bring you back. If you’re a geezer like me, this mix is going to bring you back to a simpler time. And if you’re a youngling, this is what music sounded like when people could still acquire MDMA in pill form. It was still cut with stuff, but that stuff was like, Stacker 2 & Dexatrim, not Methylone & Face Eating Salts.
via Agent Orange
Oh man, Faded. If you have ears, you’ve heard the mysterious ZHU’s masterpiece, Faded, essentially everywhere. I heard a deep house remix at a party in Brooklyn, the same day I heard a more dance-friendly remix on the radio (KTU occasionally knows the score. Not often, but occasionally). However, I’ve gotta say, I like this one a lot. The depth of the electro stabs, combined with the ethereal synth work insulating the vocals works well. There’s a retro stabby electro bass thing going on which I’m all about, and you gotta wait for like 4/5 of the track to go by to get to the real meat. Because Tommie Sunshine makes you fucking work for it. Something I can respect. It’s a great Free DL and Zac Waters puts out a great offering here, with the help of one of the best in the business, Tommie Sunshine. A gem, and a zero dollar gem at that. Get at it, and bomp it before you go to PACHA. Or may be you listen to it before you go rock out to minimal techno at Resolute, whatever man, it’s cool.