Monday Music: AlunaGeorge, Shlohmo, Brig, Mall Grab, Hight

truck-secured

This week, like the truck hauling the truck, I’m bringing you a quintet of sleeper hits. Some from artists you know, some from those you’ve never heard of, all quality. Let’s get this show on the road!

AlunaGeorge is one of those eternal talents that you’re glad you’re alive to experience. The swaggering, effective bass saunters along, making room for the soaring vocals that take center stage early on. The tune lurches into some Future R&B that is liberal with notes of hip hop, big beat swing, and some vintage jazz that I’m really digging. This tune speaks for itself as it walks across the dance floor. Enjoy it!
I’m so pleased to be able to bring this to your ears. An unreleased Shlohmo track from 2010 has been uploaded by the maestro himself, and it is a masterpiece. It’s stunning in its dreary beauty and I’m so happy it’s been released. The sloping, syncopated indie bass is something only Shlohmo could make and frankly, your day will be better for it. It’s a B-side to Bad Vibes, an old hit of his, and I can’t wait to know what he called it.
I don’t know where Brig came from, but they’re perky as fuck. Since many corners of the music internet are up to their necks in synthwave, Brig brings a fresh push forward from those decidedly 80’s roots. Extreme is dancey, scintillating bubblegum electro pop, with a little Outrun and space lasers feel. The synth  twangs and slaps are effective, while being fun as hell. Not the most cerebral tune, but honestly, it’ll wake you up better than that oppressively bubbly co-worker. Someone called this Pirate Bass, and I’m kind of ok with that.
Switching gears entirely, Mall Grab slaps. That’s it, in a nutshell really. This is one of those white label records both old school & noob DJs will like. Honestly, if you’re spinning House, you need this track. The classic rhythms roll over the impressive, potent House bass beat so well I had to check to see if I had grown an afro. This is likely to turn a lot of heads on the dance floor, no matter how many people are dancing. It’s a supremely effective mid-set tune, with a bunch of in/out mixing points to ensure you showcase your favorite part of the song. I’m a huge fan, and it takes a lot for me to throw out something so simple on this here blog. Get down to it.
Yo, Hight, is tight. Now that I’ve gotten that out of my system, this sunny, almost-too-late single by Hight is my favorite of their first releases. The dance pop vibe is nothing revolutionary, but it has fun with itself, and does quite well at what it sets out to do. The odd tonal shifts in the chord progressions kind of make it feel like I’m walking along Venice Beach on cough syrup or something. And oddly, that’s not a bad thing. Vocals piercing through as I push forward…sounds like not the worst day. Enjoy the tune and big ups to VMan for the looks on this.

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Shlohmo’s Music Video For “Beams” Is Everything About Being Young In NYC

I am so happy Shlomo has gone down the Daft Punk “no fucks given” track of artistic pursuit & accomplishment. We are all better for it. In keeping with the internet, I got wind of this music video from an Australian blog, though it looks to have been entirely filmed in places I travel weekly. This is the true majesty of the city, especially when you are young, irresponsible, invincible, and for a brief moment some nights, free. The track is a stupendous blend of drum beats, indie synth chords and a great twangy vibe. The track may seem brash & organic, but any fan of Shlohmo knows how exact he can be. Each sound in the song, just like each image in the video is there specifically. This kind of youthful exuberance & brash risk taking has been associated with creativity & rose-colored memories for so many for so long. Shlohmo is able to give us one of the most sophisticated looks at what that’s like, in a raw, dangerous form, in under 4 minutes. Take that Ken Burns. (via Stoney Roads)