Create your own work. Don’t steal, be inspired by. And as a final note, stop exploiting black women.

TheHipHopConsultant's avatarThe HipHop Consultant

After a six year dispute, prolific writer and profound spiritualist, Sophia Stewart has received justice for copyright infringement and racketeering and will finally recover damages from the films, The Matrix I, II and III, as well as The Terminator and its sequels. Yes, you heard that correctly – the entire Matrix & Terminator franchises, and her suspected pay off is expected to be the highest in history – an estimated 2.5 billion.

Her case is a true landmark, and far too uncommon as countless creatives are exploited by the snake-like dealings of the movie industry. Here’s a recap of her triumphant journey by way of George2.0:

“Stewart filed her case in 1999, after viewing the Matrix, which she felt had been based on her manuscript, ‘The Third Eye,’ copyrighted in 1981. In the mid-eighties Stewart had submitted her manuscript to an ad placed by the Wachowski Brothers, requesting new sci-fi…

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A techno nerd reviews DJ Pauly D

Highlights include Levels being played three times, a possible pre-recorded set, and a gaggle of 16 year olds that can barely keep their shit together during some incompetent scratching & mixing. I almost feel bad for the guy. Except then I realize he’s got 2x the fbook followers of Armin Van Buuren and I feel bad for the world instead.

Quote of the article: “9:37pm – Pauly attempts to scratch for the first (of many) times. Someplace, somewhere, DJ Shadow shudders and doesn’t know why.”

The Weaponization of Pop

Crimes Against Autotune: Relevance and Vanity in Pop Videos

An old friend of mine, Caitlin Burns, brings up an exceedingly interesting point that I don’t think anyone else is talking about. Pop music is increasingly being used as a way for fancy rich people to play fancy rich games and flirt with being even more famous. The possibility of ANY video to go viral based on some weird eldritch magicks that “no one” understands ensures that we now, have this available to our eyes:

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Ultra Weekend #2 may get the Ban Hammer.

This is the declaration by the City of Miami that, in no uncertain terms, the second week of Ultra Music Festival is not going down. I think it’s kind of amazing that the city is contemplating being just like NO. And while there is definitely still time for palms to be greased, I severely doubt the situation is going to be cheered forward, especially with fewer than 3 months to go. The breakdown of DJs was never posted, but what strikes me was the weird lack of thinking on the part of the festival extenders. I’ve been to Ultra twice, once when it was a one day festival & once when it was a two day extravaganza. Either I’m getting older or the Red Bull is getting stronger, but the idea that people would just continue to kick it in Miami for the week then rock out again the next weekend exhausts me just thinking about it.

I think we can sometimes forget just how completely psychotic the amount of detritus, destruction and dumb-ass people an event the size of Ultra Music Festival generates. The systems created to deal with the people are masterful and work as well as they can for the generally understood “long weekend of shenanigans” that UMF generally inflicts. The Winter Music Festival is a much more polite affair, without so much of the explodey drunk of UMF. The amount of time/manpower/resources the city consumes to clean up the event must be enormous and I think they took one look at what not only the second weekend, but the incidental week of ridiculousness that was incoming between them, and went, oh HELL no.

But, so, you heard it here folks, as of now, Ultra Music Festival may be back to a one weekend affair. Any bets on whether this will change or not?

Why DJ Shadow was right, and so was Mansion

So just in case you hadn’t heard, DJ Shadow was kicked off the decks at a club in South Beach, Miami called Mansion. One of the promoters walked straight up and told him that his set was “too future” for the crowd. This, after Mansion  did the same thing to Dennis Ferrer earlier this year. The crowd howled and he left. The internets exploded, Mansion apologized and Shadow uploaded the set that he was spinning to Soundcloud, which you can get at here. WARNING: It is NOT a club set.

To be frank, I saw Tiesto at Mansion in 2006 and I can state confidently, the music Shadow was dropping is quintessentially not the style of Mansion. As someone who has thrown a party, it’s hard to not empathize 100% with the promoter who was probably getting a deluge of shit from the VIP for this kinda sound. I would hate to be the guy, but I can’t say that if I was put in the same position, I wouldn’t be doing the same thing.

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