Etherwood getting Annie Mac Exclusive shows you how far he’s come. Not only is he one of the best in the world in liquid, but his composition & piano work continues to soar as he takes Europe by storm. This track has a little bit of a Rudimental vibe to it, but considering how much I love the two of them, I certainly ain’t complaining. This is definitely the bread & butter of the liquid drum & bass world. Fast but soft, potent, yet, seemingly light, Etherwood executes perfectly as always Zara Kershaw comes in to add soul to the mix to great effect. It’s definitely a must listen while you’re at the gym, grinding through work, driving, or even just jamming out in your underwear. Med School & Etherwood deliver as always.
Someone get this kid a fire extinguisher, because he’s going to ignite any minute. Annie Mac dropped a track of his & thankfully, ANDY C reposted it. This is a fantastic, truly massive sound coming out of Culture Shock, and I attached not one, but two of his remixes from his Soundcloud below. If you’re into Drum & Bass, especially the stuff coming out of Netsky, ANDY C, Metrik & what Mistajam dropped on his show, you really need to put this into your face. This is the kind of drum & bass that scares people in the suburbs if it wants to, but can be smooth as silk when it needs to. Every time this kind of stuff makes it over to Gotham, I bust ass to see it, and you should too. Check out the other tracks below and show some love.
I got bored and decided to piece together a little pack of Drum & Bass tunes that you may not have heard before. If you haven’t, you’re definitely in for a treat, because these liquid, melodic & deep dnb anthems are exactly what you need to get you through the week.
First up, Etherwood reworking a Jakwob piece. Both UK producers & maestros, the smooth, almost Eastern vibe pushes into your awareness slowly. Debuted first on Annie Mac, this silky ethereal vibe
Fred V & Grafix do stellar work out of Hospital Records, but this remix of my favorite Netsky track from 2014 is an absolute gem. Running Low ft. Beath Ditto is a crucial track for any of the distressed party people we all know, with Fred V & Grafix bringing a symphonic feel to the original that I bet even Netsky didn’t see coming.
If you’ve not heard this before, or the words “Strife II” don’t ring a bell, stop what you’re doing and listen to this. Right now. It’s got some of the most powerful composition & production I’ve ever heard from a producer. This kid needs a label to discover him and it needs to happen yesterday. This track is a frisson-inducing tear jerker that would reduce dancefloors to quivering piles of feels. I would pay good money to see this live and I hope it happens
This was on my October 2014 Soundcloud playlist and if you missed it, change that. The heaviness is powerful, but it keeps the energy up surprisingly well.
Keeno is the crown prince of Hospital Records, and with tracks like this, it’s easy to see why. The effortlessness that seeps into every aspect of his production is readily apparent in this track. It’s got the vocal pop that it needs to hopefully even get some radio play in places that actually play drum & bass on the radio. This American is going to go sulk now.
This week, I am delighted to bring you this amazing new mix that Annie Mac delivered up to us this Sunday past. If you don’t know who Rudimental is, you should peep the November Earworm of the Month & some of the better D&B shout outs coming out of the UK (If you don’t know who Annie Mac is, you should…buy headphones for the first time. I’m not sure how you can listen to EDM and not have an awareness of Annie Mac & her importance to the world-wide dance scene.). Rudimental showed up and dropped this 26min mix for BBC Radio 1 and it’s just a delightful little bite of what we can be expecting from quality artists this summer.
The mix is only 9 tracks long, and only features 3 Rudimental tracks. This is a perfect example of what the US has never experienced when it comes to the proliferation of EDM culture and really has only gotten experienced by Americans at good after-parties and the unicorn of all sets. This being the early-career live-mix by the talent, as opposed to some pre-generated track-list that never get recorded and just exist to blow the minds of people who heard them. The stoop-side freestyles of MCA & the Beasties, early underground shit that Eminem dropped, sets that the two guys that went on to become Daft Punk did before they turned into robots, these are just a few examples of “if you weren’t there, you missed it” shows. This is one of those sets that, if/when Rudimental blows up, you’ll be able to point to a moment and go “wow, they used to be new at this.” It feels so real. It’s not a studio mix, but that’s what’s fun. There’s an intoxicated “this is a party” feel to it. In addition to the surprising Harlem Shake drop. I wasn’t aware it was a dance floor standard, but it works quite well, and I’m starting to understand why there are approximately 451,000 Harlem Shake youtube videos.
The mix moves along pretty well with a breakdown for bassy/grindy goodness at a few points, but then we get a special treat. A live studio performance of I know is going to be a massive track “Waiting All Night” ft. Ella Eyre . I’ve not heard a live studio performance of a track since the last time I paid for one. A fantastic way to both get a new track out there, and reward Radio 1 listeners by providing them with something they’ll probably never hear again. The single is below, the mix is above. Listen to both and understand the difference between live & mastered 😀