I am so glad I this track exists. It’s a superb remix of a melody that is near & dear to my heart. This theme from Chrono Trigger (from the Realm of Magic I believe) was an ethereal, lofty, tease that so many of us loved growing up. This chilled trap rework adds an atmospheric quality that could never have exist on the SNES. The source material is used honorably, going places I only dreamed about after playing the damn game for 8hrs at a time. Great for a Sunday morning or the last tune of the night.
Bone Thugs-N-Harmony hung out with ZHU. I’m a little late on this tip but if you haven’t heard this, it’s crossover with the boys from Cleveland. They pull in Trombone Shorty for a surprisingly uptempo jazzy tune for the Bone Thugs. It works well and I’m happy to hear them out of retirement. If ZHU is bringing rappers back from the dead I think he needs to hang out with Biggie & Tupac’s holograms next.
Lido & Santell may have created the Mambo #5 of the 10’s. For anyone who doesn’t know who Louie Vega is and/or didn’t listen to pop radio in the late 90’s, this tune oozes sexy. To the point where it may make you or other people listening uncomfortable. Or possibly accelerate Netflix & Chill. Your mileage may vary. Use with caution.
Another release from the always excellent Stoney RoadsSoundcloud, Campuskit is a fresh sound from down under. The synth powers are strong with this one, and he definitely earned my attention with this remix. It’s got a shimmering, almost chippy future bass tune. Great work, and it’s novel artists like this that keep me loving what I do.
Enschway takes it away on this last remix. Another gem from Stoney Roads, this Future Trap anthem bursts with emotion and doesn’t let up. It’s got a Madeon, or dare I say even a Porter Robinson feel to it. The composition & production seems effortless and the soulful work put into the vocals makes the track pop in your ears. It’s a real feast for the senses and makes me excited for everything this kid from Sydney has in store for us. Honestly, this is so good, I’ve gotta share a bonus track. It’s a bit more recent, so put it and the previous one into your face!
A little while back, I brought y’all this cool EP by an artist named Allume. Thankfully, she’s kept the work going, including with one of her compatriots Souda. This new group is called Hummingbird, and they’ve got the indietronica sound down pat. This almost mournful, yet potent track is a winding delight. The soothing vocals and the soft, but persistent synthy bass got into my head and hasn’t left. So now it’s in yours. It’s good for one of those moody days where you want to feel good, but you can’t deal with sunshine & lollipops in your ears. Great work from down under. I really need to get to a festival in Australia.
There’s something about this track. The soothing, shimmery yet upbeat track by Hayden James caught my ear and it’s exactly what you need to get the family you’re staying with relaxed and not talking about how wacky the year was. The lyrics are issued forth competently & soulfully, while the house’y beat glistens along. It’s a fine offering from the upstart from Sydney. I’m getting into a lot of the indie bass acts out of Australia & New Zealand these days. There’s this distinctly non-EDM feel to a lot of these artists and I’m looking forward to when they breach the gates here in the USA. I’d certainly see this in a Brooklyn warehouse. And the next track on the Soundcloud “related” is Miss You Most At Night, which is le dope, so it’s got that going for it as well.
So, Redial is no joke. This took me totally by surprise, because it’s like, circus massive. There’s this gregariousness to the bass that’s almost Falstaffian (yea, I went there). For all of my people not up on Shakespeare, it’s almost a sloppy drunk bass, with some triumphant chords sloshing around there. This is what Mad Decent would sound like if diplo was from Brixton instead of Philly. And yea, I understand the gravity of those words. Ride along and see what I mean. Short, sweet & to the point, three minutes and it’s gone, and you’re left wanting for more. Exactly what’s needed to dive into the Soundcloud page and get more into the face. Dude doesn’t even play, so get up on this before it blows up.
This one seeps into your awareness, an Indian-infused Future Bass track with enough of a low-end punch to need no explanation. The composition is exquisite, and the broken beat structure melds with the global bass sound choices delightfully. It’s got this feel that makes you think it was an anthem coming out for a World Cup held in Mumbai. The tune is entirely too short, but it definitely explores the space it’s created masterfully. There’s a little Beats Antique here, a little Flashbulb and a lot of skill. SLUMBERJACK is definitely a name to watch out for, with this pair of Perth natives deserving your attention. So show some love and tell em Terry sent you.