10 minutes of orchestrated & expertly scored hip hop, conducted by JIMEK, a composer who is pretty damn familiar with some of the best hip hop of the last 30 years. Wu Tang, Missy, Dre, and so many more. A whole lot of kudos to the Polish National Radio Orchestra being good sports about this. Gotta say, I prefer this to a lot or over-orchestration that happens when people try and act cute. This is well executed, so kudos to The Awesomer for the tip.
Tag Archives: hip hop
Cattle Rap Is My New Favorite Thing.
This is everything good & right on the internet right here. Someone got the brilliant idea to take cattle auctioneers & drop hip hop beats under them. While this seems like one of the higher ideas to come out of a college basement, the two videos I’ve linked are some of the better examples. The video above is the high water mark for the genre, a fun little vid that came out in 2014. The one below is the original that really got the movement (lol) going. This kind of “hey, this is a wacky combination, I’m bored, here’s my offering” thing that’s part of the internet now makes for some truly dopey shit. Enjoy this one & shake Monday off. If you’re super into the track, you can get it on Bancamp here as well.
STUDIOKAMP feat. Rick Shoemaker – Cattle Rap from studiokamp on Vimeo.
The Songs Of Protest Return.
Prince performed in Baltimore this weekend and wrote a song for the protest & #BlackLivesMatter movement that has been growing over the last 6 months. While we’ve seen EDM remain largely a-political, hip hop artists have taken up the call to speak truth to power through their rhymes. In addition to Prince’s track, I wanted to highlight some of the other artists that have touched on the issues of brutality & freedom in the last couple of months. One of the first to be released on YouTube was this one, posted in December of 2014 by The Peace Poets. This is a more traditional peace/protest song than the other songs on this list, in the same vein as many of the Vietnam anti-war protest songs done by Pete Seeger (pictured above). Alicia Keys released a track in early December as well. One of the first top tier artists to mention this publicly, she was definitely wading into heated ground. Her soulful “We Gotta Pray” is accompanied by stunning images & history lessons about the struggle for equality that many have faced in America.
Fly by Raury ft. Malik Shakur came out about 3 months ago but it’s stayed with me. This combination of spoken word, indie, and hip hop elements hopes, even triumphs against the backdrop of the horrors that many cities have seen over the years. I’m particularly struck by the emotional weight at the end. The spoken word message about his son is something every American should hear:
I hope he never becomes a hashtag
I hope to never see him on the back of a t-shirt.
I hope no man in uniform assumes he’s reaching for something in his pocket.
I hope he knows it’s ok to love.
Peter $un has been making waves in VA and clearly, with sample & flow like this, you can tell why. This guy needs an audience with Chance The Rapper immediately. He talks about fears in the same way Malik Shakur does, especially bringing in his concern for his daughters & nieces. It’s not just men who feel like they’re threatened, many women have been the victim of violence at the hands of authorities. Peter $un gets some help from Matt Burton, in the form of some stupendous beats. They’re low, lazy but original, bubbling up to back Peter while he oozes lyrical cleverness & fear for his community.
Not sure what else needs to be said about The Blacker The Berry. Kendrick Lamar‘s anthem (one of many) has a perfect way of pulling things out of you that you didn’t know you had inside of you. His embrace of his identity & his challenge against the establishment is clear, if not terrifying for those who can’t identify with his words. While there have been many songs that speak of peace, Kendrick Lamar’s track evoked pain & deep frustration with the status quo, even as an insanely successful artist.
I’m rounding out with a totally new track off of DVS’ new mixtape that really swings for the fences on this. This is a hard feel matched with some of the most profoundly effective flow this side of the planet. DVS discusses the rage that you see on the faces of so many of our downtrodden and exploited. He brings up the specific/crucial point if treating children like criminals while they’re still in school, which then translates to the way they’re treated by law enforcement. DVS legit drops a line or two from Howl (yes, the one by Ginsberg), just in case you didn’t realize just how advanced his skills are. This may not have been created specifically to respond to the deaths of Garner, Gray or Brown, but DVS speaks of the issues in ways many other rappers seem to have forgotten.
Show all these folks love, they deserve it. Hug your loved ones, help your community & help us build a better tomorrow.
DVTV Arrives & We’re All Better For It. [Album Of The Week]
DVTV is a triumph, I’m writing a note here, huge success. DVS, one of the few authentic, real people I graduated HS with, and this isn’t even his final form. VICE, Complex, Stereogum & plenty of other spots have given DVS love, and I’ve gotta jump on the big love fest because this is legit. It’s got talent, execution, production, excellent guest spots & collabs, the whole 9 yards, the whole enchilada, the full monte and other outdated phrases the kids don’t use anymore. This album is one of the few I’ve actually listened to more than once in 2015, and I’m pretty confident I’ll be bumping this until I’m long in the tooth. While it’s all incredible, and yes, you should both listen to it and give DVS many dollars, here are my favorites off the album. Money Train gets a million points for using Subway announcements as refrains. DVS has the tightest flow you’ve heard in a minute and Money Train is just a warm up. Anyone that can use the closing door sound & take the piss out of the more gangsta end of local hip hop without breaking a sweat, gets respect. Do It To Death is a stupendous solo work that reminds me that DVS is everything Rehab could never be, in addition to being better solo than most crews I’ve been stuck watching in bars across the city. The tight production & continually inventive flow do not disappoint. This will get replayed over and over. Rhymes + the Darkwing Duck theme needs to get leaked to someone at Buzzfeed with the quickness so this can get blasted in their offices over and over until they make a video about how ridiculous it is. Just What Happens is a high water mark for the Album & for DVS. Just What Happens needs to be on your Kendrick Lamar playlist. It needs to be on your Wu playlist. It needs to be on your playlists, is what I’m saying. More real than you’re probably aware of, and there’s a pile of references I know I’m missing. The crucial, vintage & excellent sample ensured this is an instant classic. The words are amazing, but 2min in to the end is lyrical mad genius that needs as wide of an audience as possible. DVTV lives up to expectations as a single, and almost a victory lap for DVS. I’m at the combination loosey spot & crack hotel is damn near close to perfection for anyone who grew up in the city before & during the Giulianification of the city.
The other singles on this album have already been covered by VICE & plenty of other blogs way more important than mine, so I wanted to mention some of the new pieces and ones I’ve not…already yelled at you about. The whole thing is on a playlist below, so jam on that as needed, but definitely buy this album. Also, tell your friends.
Midnight Music: LunchMoney Lewis – Bills (Leah Haxhi Cover) [Indie Cover]
Stupendous. Leah Haxhi needs the highest of fives for creating this. Not only do we have another strong lady taking on covering hip hop, but it’s got gospel & violin in it! This kind of soulful re-working with the gender flip is always going to get some words from me. It’s a fun, well composed indie tune that should both give Leah Haxhi some needed exposure, but signal boost for Lunch Money Lewis in places he may not be heard. The original is below for you to compare & enjoy as well, because, why would I set you up like this and not provide you the comparison right? The take home message here is, I say more ladies with stringed instruments covering hip hop. Can we get a hip lady from Brooklyn to cover Puffy’s discography so we can take back some of that territory? (via Fresh New Tracks)
Midnight Music: Nosaj Thing – Cold Stares ft. Chance The Rapper
This is future y’all. Chance The Rapper hooked up with Nosaj Thing to make something moody gorgeous. Is Proto Blues a genre? Chance leads the lilting & blues-infused bass work through with his usual flair for the excellent yet understated. “Smeagol to Gollum” is my favorite line for 2015. This kind of rhyming seems so much more free, almost like the way it sounded like a while ago. This taste of Nosaj’s (or is it Mr. Thing?) new album, dropping May 5, 2015 gives me a lot of hope for the stuff coming out this year. Hopefully he’ll come back to Web Hall & make a crazy night of it. (off Innovative Leisure / Timetable Records)
Midnight Music: Anneliese – Singed Spots [Soulful Indie]
This is a wonderful surprise. Anneliese was sent to me by one of my contacts in VA. I’m really happy he did. Her EP is a great offering from some fresh talent down south & this track is a highlight off the EP. The choices when it comes to the pacing, synth work & a no-nonsense attitude work perfectly. The German native that’s landed in VA seems to have picked up exactly what she needs to. The lyrical work is sophisticated ,but she still has chops where she needs them. Anneliese is already punching above her weight class. Show her some love and tell her Terry sent you.
Ten Questions With Terry Gotham: Match McKenzie
(Honored to keep bringing you underground hip hop fire. This time, I spoke to Match McKenzie, one of the lyricists in the trenches hustling every day to get his sound out.)
1. With Iggy & the blingification era Puffy created, has hip hop lost its way? The thing about hip hop is that it all falls within the realm of expression of self and art. I think Iggy has some great songs but they have more of a pop accent to them in terms of appeal. I just wish the industry would’ve given her the respect to be judged in the Pop category for her work, because that too is a category full of award winners and amazing artists that have completed great feats. As for Hip hop, I’d like to think that it’s in great hands. Yeah, there’s a lot of foolishness going on out there, but at the same time there are still legends carrying on the craft, blessing the young and gifted, like myself, with knowledge, and there are some great artists such as J.Cole, Kendrick, Childish Gambino, Logic, Chance Da Rapper who are already established. I can go on for days, but basically the point is the message will find a way…we just have to keep them aware.
2. Who were you on when you were coming up? Anyone who helped your sound become what it is today? I came up off of a different mixture of hip hop, back when music was very different and the riddims were very distinct. Back then, you knew where the sound was coming from. I came up more on Alternative Metal, Ska and Hip Hop… I had so many influences it’s crazy. I had influences like Outkast, The Dungeon Family, The Roots, Kanye West, Depeche Mode, Chevelle, Smashing Pumpkins, I just remember only wanting to fuse a sound to bring something even more amazing to life. So many people have influenced me over the years, Tokyio Shrympz, Scamz and DrumNSkillz my producers; Loaded Lux; Face The Writer; Malayika Lemoine, ESQ; My Breden At The Unpopular; as well as every artist or producer I have ever met has influenced my sound in some sort of way. I feed off of creative energy, so everyone i come in contact with can add to that and influence me in some kind of way.3. What is hip hop like in NYC these days, with the rise of DJs & all of that? This is the Mecca of Hip Hop. It will always be competitive, but with so many Dj’s on the rise I’m sad to see that they don’t make it their job to find new artists and introduce the population to unique artists and their music. The sound of Hip Hop has undergone some big changes, and the DJ’s could really do a whole lot to introduce more people to more than just the same old thing. New York is such a great melting pot of cultured artist that I feel still embody that golden era charisma, with great delivery and substance. Dj’s have to be willing to give us a chance.
4. Forgive my ignorance, is there still a battle scene in the city anywhere? Do freestyle skills still matter in the game these days in NYC? Yeah there is.The Battle Scene is actually gaining even more popularity. I feel it’s necessary for you to know how to freestyle, just to be able to expell your thoughts in a pattern, if your working on your creative process or just to help your delivery, growth, or your mind hold no limitation in the thought process. A legend like Cassidy literally came out of retirement and collected a 100k plus check, freestyling. It can really hold some strong opportunities for ones that are really skilled.
5. Do you feel that hip hop artists have a responsibility to stand with the protesters in Ferguson/around the country, or is that something that you can’t touch at the moment because of the grind? I feel it’s our responsibility to keep our brothers and sisters aware of problems like this in our society, as well as other serious matters that continue to plague our communities. We should all be out there if we can afford to take time out to get a good look at the reality of what’s going on, even just for ourselves, because at the end of the day the goal is knowledge of self.
6. Do you feel MCs have a place in the EDM explosion we’re currently seeing? Or is it all about back to basics hip hop? Of course there is. We all have a place in music. Music isn’t as categorized as we make it, it deserves to get a chance to be innovated. There are so many things that can arise from that initial fusion. Hip hop itself has been evolving there have been so many sounds used and it can change in a matter of seconds. Each new fusion, each time someone tries something new and pushes those boundaries, it’s a great creative moment, and goes to what’s at the heart of music.
7. Any tips for up & comers or hustlers on the grind like yourself? Any studios or people in the biz help you out that you want to shout out? Believe In The Blessings You Have Been Bestowed, and “Nobody Cares, Work Harder” (that quote has kept me going everyday). This is the age where you can defy the label gate keepers, if your following is strong enough, they will be on your heels every step. Just keep building your foundation. There is a means of overcoming the machine, if you believe in your ability to keep the masses aware. With all the social media outlets it can happen. There will be days where doubt will try to creep up on you but if you can pull together a team the possibilities are endless. Keep networking. It’s the means of strengthening your rapport and even may open you to other ventures that fall under the umbrella of what you’re doing. I would like to thank BlackHart, The Unpopular, 173ENT, Tokyio Shrympz, LTI, City Official, Scamz OndaBeat, DrumNSkillz, Xyayx Studios, these people are all responsible for bettering me in some way as an artist , performer, and entertainer. They believed in my message. 8. How did you connect with Tokyio Shrympz for your new releases? Are you doing just one EP or are there going to be more? I actually have had a great rapport with Tokyio Shrympz for some time now, we have been working on a few projects for the past 3 years but I have known them for almost 9 or 10 years now. Miyagi Sport aka Mr.Calligraphy, Savage Hype, and Miami V.I.P crafted the production. This will be our first EP together entitled The Unpopular: The DRACONIS IGNIS COMPLEX. There will be many more projects to come. We’ve recorded quite a bit of material by now, so we have some songs to choose from. But first we’re going to make sure the masses are aware before we just jump into the next album. I really believe we made something that deserves to be heard, that holds great substance, so I’m looking to keep promoting once the EP finally drops.
9. Is there anyone in the game right now that is doing stuff that blows you away? Someone in your crew or across the country? There are tons of amazing artists that are doing great music that aren’t necessarily on the radar yet. There is a young lady by the name of Versailles The Great, She is something special to look out for. She is more in the Florida area. Personally, I like to hear music from all regions. There are great artists everywhere such as Face The Writer, who also is one of the writers at Circle House. He has crafted tons of hits for some of your favorite artist favorite artists. Also there’s my bredren dem, ESFX, who is a great artist and writer as well, who is actually working with B. Howard (son of Mickey Howard) on his debut EP. ESFX likes to take on the Hip Hop/Rock Live Band Fusion which is super dope and creative. And I can’t forget my LTI Large Tunez International label mates. They’re a vastly composed unit of artist that take on different genres of music as well. Really, there’s a lot of talent for the most part in New York coming out of the Bronx, but the Bronx doesn’t get much love due to so many of the industry types that feel that Harlem or Brooklyn may hold a deeper talent pool than the other boroughs. And then of course there’s the regulars that keep it consistent, such as the J.Cole, Kendrick Lamar, Drake, Big Sean and even the new breed like Childish Gambino, Vic Mensa, Chance The Rapper, Vic Mensa, Casey Veggies, I can keep going forever…
10. What is on your calendar for 2015 after the dope battle you rocked last winter? This year it’s all about bigger and better. On top of releasing my EP, I’m looking to do as many shows as possible to keep hustling and getting the word out that I’m here and I’m bringing a sound that people really need to hear. I’m trying to get around to CA, GA, and TX. I just got back from FL earlier this month. And of course I’ll keep performing around the Tri-State area. Plus, my team and I are in the process of putting together a set of college shows. I’ve also got my eyes set on some of the big festivals like SXSW, A3C, Indie Spring Jam, 5050 Music and Arts Festival and a few more industry mixers and showcases. Basically, I will keep going until the world is fully aware of my presence. Thank You for taking time out to press play and thank you to all my fans that keep me on repeat everyday. I love you all so much It will take hard work but the world will know soon.
Get at him on Soundcloud, Twitter, Facebook & Instagram.
Ten Questions With Terry Gotham: Swolf
1. What is the hip hop scene in VA like? Is it blinged out like some of the bigger regions, or is there a more singular vibe at parties & battles in VA you can’t get anywhere else? To be honest I’m not sure what to think of the hip hop scene here, being from the Northern side I am technically looked at as a “DMV” artist. There’s nothing flashy about it just a lot of talented artist trying to find their identity and I feel as a VA artist we are overlooked in some ways.
2. How did you connect with St. James The Pro to get such top-notch production on the EP? We actually met at a Beat Battle. He was one of the 1st contestants and the 1st beat he played just really caught my attention. I introduced myself after his set and he told me he’s going to New York and that he’ll be back. I thought he was giving me the run-around but about 2 weeks later he hit me up like he said he would, told me he had checked out some of my previous work and was impressed. The rest was history really.
Beastie Boys ft. Nas – Too Many Rappers
I’m about a week late on this, but if you’ve not seen it, this is golden. Unearthed Beatie Boys + Nas music video. Does what it says on the tin. No, seriously, how else could I describe this? Put it into your face.
