There’s something about this track. The soothing, shimmery yet upbeat track by Hayden James caught my ear and it’s exactly what you need to get the family you’re staying with relaxed and not talking about how wacky the year was. The lyrics are issued forth competently & soulfully, while the house’y beat glistens along. It’s a fine offering from the upstart from Sydney. I’m getting into a lot of the indie bass acts out of Australia & New Zealand these days. There’s this distinctly non-EDM feel to a lot of these artists and I’m looking forward to when they breach the gates here in the USA. I’d certainly see this in a Brooklyn warehouse. And the next track on the Soundcloud “related” is Miss You Most At Night, which is le dope, so it’s got that going for it as well.
Monthly Archives: December 2014
Cole Rolland Plays Dubstep On Guitar. Someone Tell The Pegboard Nerds.
Firstly, dope 80’s style electric guitar work definitely needs to come back. And if this kid is the one to do it, so much the better. Cole Rolland takes the electrostep remix of Krewella’s Alive by Pegboard Nerds and drops it live, on his axe. This is a massive accomplishment & further reinforces my hypothesis that dubstep is the synthetic equivalent of a whammy bar, especially when he plays dubstep…largely with his whammy bar. I am a huge fan of the technical skill involved in this cover, and would love to see more guitar YouTube people get into this kind of cross over work. Shit, Infected Mushroom sounded dope with a live guitarist. What are you doing to cross boundaries while expressing yourself on Monday huh? 😀
Midnight Music: Infected Mushroom – Kazabubu
I’m 10 days late on this, so apologies are in order. I should’ve been yelling about this a week ago. To get you excited for 2015, 1/6 brings Friends With Mushrooms, their new full-length album. The 17 track juggernaut will include a couple of the highlights from their massive “Friends With Mushrooms” EPs that have dotted the release cycle over the last few years. To celebrate, Dim Mak wanted to make sure you knew what they sound like and to remind you just how dope their production values are, even to this day. This album is going to have a lot of surprises, but the quality you’ve come to expect will be there in spades. This track fuses the electro, world-beat, psy, big beat and dubby elements with the end of the tune really punching into some fun bass sounds. Pre-order the album here on iTunes & get ready for some sharp, effective mushrooms in 2015. (via Thump)
Mix Of The Weekend: Karmakanik – Live @ Sequence [Tech/Electro/Prog House]
I couldn’t believe what I was hearing. DJ Karmakanik is one of the first DJs who ever really just exploded my face. I’m talking like, that kind of night that takes you on a journey that you’re not the same afterwards. One of the mystical forces behind the fabled PSI events in the Pine Barrens forests, this guy knows exactly what he’s doing. I know times have changed because he is in my mind, a psytrance DJ of legendary proportions, and I just spent the last hour grooving to a dope selection of electro, progressive & tech house. The track selection is impressive & I am definitely hoping this kind of musical output becomes a regular thing. And he wants to drop some 6 am psytrance as well, I certainly won’t complain. Picture is from BM 2006, you know it’s a good party when Jesus spins psy-trance. Tracklist below the tunes because he’s a gentleman like that, and it’s a Free Download to boot. He literally couldn’t give you anymore, so show him some love.
dataworx – flight 1605 (manuel de le mare intro rmx)
mason – exceeder (umek and mike vale rmx)
andrea bertolini and motel connection – allegro
weekend heroes – killer bitch dj dealer
alter breed – panther
ido ophir and miki litvak – shnorkel (dousk rmx)
piatto and luigi rocca – higher feeling
umek – cvile mi jaja
phunk investigation – u know
shiloh – cafe del mariachi
perfect stranger and captain hook – perfect hook (riktam and bansi rmx)
easy riders – easy dubsteps (captain hook rmx)
sideform – personal jesus (rmx)
Childish Gambino Freestyle On HOT97. Does What It Says On The Tin.
So, I’ve always had a bunch of love for HOT97. Growing up they were the source, before The Source was even a source. They grabbed Childish Gambino and dropped a relaxed beat on him in the studio back in September. I had no idea until one of the bravest men I’ve ever met tipped me off to this. The flow is impeccable, irregular and intense. If you don’t know why I keep going on about this guy, watch him here, totally unprompted. It’s better than most of what we’re passing off as hip hop these days I think you will agree. Anyway, if this peaks your interest, get at Gambino here, here & here.
CMEA, A Great Idea, Which Totally Ignored How Meth Users Act.
This week I’m talking about Crystal Meth. Yes, that drug. The one they really thought they had figured out back in the 00’s, and interestingly enough, gave us a perfect example of how top down drug legislation can miss the mark. In 2005, several states had the bright idea to make Sudafed harder to get, to prevent it from being purchased by meth cooks to use to make…meth of course. They turned Sudafed from “over the counter” to “under the counter” which added checks and signatures and a whole song and dance routine (actually just showing ID & signing your name) to get pseudoephedrine. This would ostensibly create a database of people using the stuff to make meth, bingo bango, they get arrested. No more meth cooks, no more meth. No more meth, no more meth users. This idea seemed so solid, that after many states passed state versions of this initiative, the Federal version was passed by Congress, titled the Combat Methamphetamine Epidemic Act of 2005. In 2006, the first person was arrested for stocking up on Claritin, but that’s besides the point. The mindset that produced these laws totally misses one simple thing. And as result, you have the chart above this paragraph.
When the meth labs closed down, even after this kinda stuff was made “under the counter” in Mexico (Yea, totally was), people didn’t stop wanting meth. They just paid more for it because it was being brought in from farther away. Oklahoma is reporting this in 2014. This law was passed in 2005, and while it has shuttered hundreds of meth labs across the country, people are simply getting their meth from farther away. This means that it’s more likely to get your meth from a “super center,” which is just a fancy word for a real meth lab. Not like, one in a frat basement, but one where they make the stuff in gallons not milliliters. The resurgence of both Mexican cartel & domestic syndicate meth has brought prices down across the country, but it also amped up the purity. Hence the skyrocketing overdoses. When you start on your friend’s bathtub shit, but suddenly find yourself with a strong need and they’re not in town, you get from whoever is selling. That person’s selling something way stronger, but you don’t know that. You take your normal dose and it explodes your reality. This is being written about by some, but I think it drives home my point.
A lot of these laws are coming from a seemingly logical place, but they don’t really account for simple human behavior, which opens millions up to potential harm & eventual cost to the healthcare system, as meth addicts aren’t exactly the “saving” type. We need to understand that users, even casual ones, will simply work around a lot of these initiatives, even if it kills them. I guarantee you that standardized purity & dosing will save a lot more people than making sure I bring my driver’s license with me when I go to Duane Reade because I have a headcold. For more on this, join #SayMyName at 4:30pm EST on Twitter to talk the drug that America just can’t quit.
Midnight Music: LOTR Remix! Turn Down For Hobbits!
I can’t say that I’m a huge LOTR nerd, but closing the circle must feel good for a lot of people. To celebrate the end of a journey that started before Obama was a household name, my boy Will Vance over at EDMTunes whipped up a surprisingly legit remix of Pippin’s song. The bass & backbeats work really well, and I’m definitely hoping that I hear it mixed into something at some point. Oh man, can we get DJ Hodor to play LOTR remixes? Because that might actually approach the definition of epic. It’s a tumultuous track that definitely needs to be mastered and slipped onto a playlist in Peter Jackson’s jet at some point. Get at more of this one’s sound here. (Lyrics & photo from here)
Midnight Music: Redial – Work It Down [Aussie Bass]
So, Redial is no joke. This took me totally by surprise, because it’s like, circus massive. There’s this gregariousness to the bass that’s almost Falstaffian (yea, I went there). For all of my people not up on Shakespeare, it’s almost a sloppy drunk bass, with some triumphant chords sloshing around there. This is what Mad Decent would sound like if diplo was from Brixton instead of Philly. And yea, I understand the gravity of those words. Ride along and see what I mean. Short, sweet & to the point, three minutes and it’s gone, and you’re left wanting for more. Exactly what’s needed to dive into the Soundcloud page and get more into the face. Dude doesn’t even play, so get up on this before it blows up.
Midnight Music: Brass Knuckles – Water Gun ft. John Ryan (Popeska Remix) [Indie Electro]
This indie dance rework of Water Gun by Popeska is surprisingly euphoric. 30 seconds in, the chords slap you with the chorus pushing back into your awareness. Brass Knuckles provided a wonderful indie track to remix. With John Ryan providing on point vocals & Brass Knuckles pulling into some fun poppy dance, Popeska takes it and runs with it. It’s got a “Bomping it in your Camaro in the sunset” kind of feel to it, and doesn’t really try to get too heady about it. Does what it says on the tin, and I really want Popeska to get that water gun now. Or a platform for more of that smooth electro gorgeousness.
Midnight Music: Mako – Ghosts (Part I & II) [Symphonic Bass]
Mako kicked the door in & squatted in my head for an entire month last year, so I’m super pleased they’re starting to flex their production muscles. This pair of tracks straddle the line between anthem & symphonic interlude, walking the line with the confidence of a tightrope walker. They put out Part 1 a little while ago, and Part 2 is a punchy, anthem house rework of the cinematic opening. This is a tantalizing beginning to a much bigger sound I’m expecting from Mako and it leaves me wanting in such a big way. This focus on classical & more organic elements, straddling that synthetic sound is going to be huge, and the jam that Part 2 became leads me to get even more excited about where they’re going with it. You heard it here first, Mako 2015.
