Taylor Swift + NIN = High School Forever.

Someone needs to tell Trent Reznor, because this is all kinds of wonderful. It throws that sour, black mood we had at one point or another in sharp relief. Ms. Swift does a brilliant job as a foil to The Perfect Drug from way back when. The punks & gen X’ers know what I’m talking about, but you’ve gotta admit, it looks kind of crazy now. We’ve come far since it was all the rage, and I wonder if Trent is mad or amused by this mashup. Someone find him and show this to him on their phone. You know you want to.

Dope Vintage Get Lucky Cover By The Flash Mob Jazz

This delightful little cover by Flash Mob Jazz is exactly what we need more of these days. Someone should call Puddles and make a full compilation of vintage’d dance hits. The frontman kinda looks like Boy George, but he’s got the chops where it counts. The trumpet & sax solos are on point and the drum & bass (upright bass that is) work bring it all together. It’s Monday afternoon, you’ve made it through the hardest part of the week. (via Laughing Squid)

Daft Punk + Guitars = Liberal Amounts Of Win.


Welp, this is kind of wonderful. If you wanted to know what Get Lucky would sound like if Steve Vai or Kurt Cobain played it, here you go. This 3 min vid gets you everything you need in your afteroon, if of course, the only things you need are quality guitar work & Daft Punk’s later work. Andre Antunes is a burgeoning artist that might deserve a second look from y’all. The video should help you skid into the 5 o’clock whistle on your Monday if you’ve not been able to take snow day #2 for 2015.(via Stoney Roads)

Ferry Drops Euphoric Trance & We Love Him For It!

Ferry Corsten feat. Haris - Back To Paradise (Flashover Mix)This is the kind of music that I feel like we really should be listening to all the time. If you’ve seen a Bill & Ted movie, this is my Wyld Stallions vibe. This is the music that brings peace to the world, if we’d only just all listen to it. Specifically the 2:30 & on build. This kind of extended euphoric, driving, yet modern trance sound is exactly what I think 2015 needs. I can’t wait to hear what the rest of this EP sounds like, and I am terribly sorry for sleeping on this one. This is weeks old, and I really should’ve been on top of it. This track is everything right with dance music at the moment. Sink your teeth in and show some love to Ferry. He is one of the best. Bomp this track loud and you’ll see why I think so.

Keeno Goes Full Time! Dope Track On Hospital 2015 As Well!

This is news that brings a tear to my eye. Keeno, in a heartfelt post on Facebook page, declared that he’s going to leave school to pursue music creation full time. In his own words:

Devoting my life to writing and performing music is the only thing I’ve ever wanted to do. I feel immensely fortunate to be able to make it my job as well as my passion and I have all of you to thank in helping that become a reality.

This is what it’s about ladies & gentlemen. This kid has a tremendous career ahead of him, I’m so glad he’s been embraced by Hospital Records & Med School. They’ve provided him with a great foundation and I think more artists (outside the USA, because here, it’s a fucking nightmare just trying to survive) should give this a try. He’s got a gorgeous debut album & 3 EPs out, so I wanted to take this time to feature some of my favorite tracks from his burgeoning discography. First, from his debut album:First up, off the Life Cycle LP, Nocturne & Innocence. These two tracks are great examples of what can be done in the modern drum & bass soundscape, by someone clever with the right resources. The smoothness of the beats, vocals, harmonies, every second of both tracks could not be done better. If you’re into this sound, take Keeno & study him. The silence, the gaps, the shimmering chords, all of it.Just in case you thought he was a dope original composer, these remixes prove he can hang in that game as well. These two show a gigantic range, especially when you remember that both London Grammar & James Bond are UK media forces that couldn’t be more different. The London Grammar remix, much like the ANDY C one, shows that the more melancholy end of the D&B spectrum can still power you through. And the Skyfall remix is a personal favorite, just because I feel that theme needed a serious amount of bass added to it. And finally, his most recent single, released less than 48hrs ago, for the Hospital 2015 compilation. This track, done with one of his favorite partners in crime, Whiney, continues the lofty, signature sound that I adore. This classical approach to the D&B bpm is amazing & I hope more artists copy it after Keeno gets his just desserts for it. His 2015 is going to be so incredible, I’m already jealous of people who live in the UK and can see him live with the rest of the Hospital/Med School crews. I am so glad to be able to bring this to you, my readers. People do follow their dreams, and sometimes, we’re all better for it. Congratulations Keeno, can’t wait to hear what comes next.

Kickstarter Alert: Vourteque’s Electro Swing Album – The IRON And JAZZ AGE

Vourteque - The Iron & Jazz AgeOne of the best parts of Chicago is DJ Vourteque. This guy is one of the coolest people I know, and has been doing ridiculously dope electroswing music for about as long as I’ve been in the scene. This kind of stuff is one of those genres that is eternally underrated. I love where he goes with it, and want to make sure we get as much signal boosting on this as possible.
There’s a preview online and if you’re into this kind of sound, I highly recommend you check it out. Hot Sinner is a jump-jive-&-wail kind of track that will keep you moving with your best girl. Sean Guinan does some classic vocal work & it keeps pace perfectly with the swing. No Teeth has Joe Harbinson doing some old school guitar blues that we’ve not heard in decades. This old school vibe mixes with an almost industrial backdrop giving this some serious punch. Fire Lighter brings in some retro trumpet, so it will have my heart forever. Lyrics + vintage Jazz is a huge and this Professor Elemental needs to get me his mixtape yesterday.

The Kickstarter is doing well, so let’s push him over the edge, get this thing funded and get him out to NYC to play it live eh?
https://www.kickstarter.com/projects/vourteque/vourteques-electro-swing-album-the-iron-and-jazz-a

The Lower East Side In 1995. For Serious.


This is legit. This is what Ludlow used to look like, back when no one with money would be caught dead there. Before the bars and the bunch and the lines, there were artists, and fashion, and people hanging out. You know, like you’d see in a place that people could afford to live in. I think these two videos (h/t to Corey Shaff & the Gothamist for this) can really illustrate the NYC that a lot of us remember, but is now so far from possible, it’s hard to even describe. The quality of the video is a great reminder of the era, as is the fashion, the kookiness of the

New Burial. What Else Do You Need To Know?

We’ve been blessed with a full track from the magical, musical mind of Burial. This time coming off of Keysound Recordings, it takes all of 5 seconds to become perfectly apparent that Burial is back and doing what we all love him for. The moody bass, straddling the lines between breaks, real dubstep (pay attention kids), UK garage comes on strong, with his signature ethereal vocals shimmering into existence a little over a minute in. It’s not new ground, but I could not be happier this is out, to remind people that stuff can actually sound like this. It rambles along, pulling the feeling of loss & almost confusion into the vibe of the track, and before you know it, it’s gone. A 2:41 track is tiny compared to most of his work, but at the same time, it’s still manna from the heavens. Even though it is always raining in Burial tracks, so don’t look up unless you want to get bass rain in your eyes.