“You see this guy, this is the smartest motherf*cker in this whole building, out of all y’all.”
The ticket taker was pointing at my ear-plugs and reminding the younger, hipper crowd that ears were not invincible things. As I plan on going to shows like these for decades to come, I chuckled and moved along. There was an over-priced beer and a seat with my name on it. Alex M.O.R.P.H was cutting loose on the decks and while I didn’t catch his whole set, it was quite enjoyable.
The fantastic lady editor/promoter that has been getting me some of my best event reviews dropped this in my lap and once again, she doesn’t disappoint. Jonathan Allyn definitely never showed up in my reality before because I couldn’t forget talent like this.
For my 100th post here at terrygotham.com, I am delighted to feature a mix by one of my very favorite new trance producers, Jorn van Deynhoven. And just like the name implies, the mix is thick with delicious, uplifting, euphoric and rambling trance that I could not be more happy about. Track after track brings back this trance feel that I thought I would never be able to experience live after Trance Energy in Amsterdam died a whimpering, electro-induced death and Sensation lost any loyalty to the original sound that made it famous. Particular highlights include the Manuel Le Saux remix of Any Given Moments & the Pure Mix of Solarstone’s Please. Also, his track “Superfly” is not only a favorite in A State of Trance, but an exceptionally well-produced track that gets me very excited to see what he does next. The track list is below as always. When you play it, make sure to play it on a system that has a subwoofer. Sit back, relax and enjoy the aural journey Jorn takes you through. Can’t wait to see him on this side of the pond.
01. Temple One – Venus [Enhanced]
02. Miroslav Vrlik – November (Suncatcher Remix) [Perceptive]
03. Ferrin & Morris – Arizona [Transistic]
04. Signum – Any Given Moments (Manuel Le Saux Remix) [ID]
05. Adam Seller – Titanium (Darren Porter Remix) [Fraction]
06. Talla 2XLC ft. Skye – Rise (Photographer Dub Remix) [Tetsuo]
07. Mark Sherry – My Love (Darren Porter Remix) [Liquid]
08. Rene Ablaze & Charles McThorn – Purple [Redux]
09. Jorn van Deynhoven – Superfly [A State Of Trance]
10. Solarstone – Please (Pure Mix) [Blackhole]
For many of our electronica-related neophytes, the sheer volume of genres is mind-boggling. Whether you’ve spent years hitting up parties or if this is your first weekend out of doors, it’s easy to have no idea what you’re listening to. Thankfully, there are amazingly talented DJs who are here to help. Ayesha Adamo is a multi-talented beat Goddess who I’ve had the pleasure of working with a few times in the past and has been cleverly picked up by Alternet to create a run-down of the 11 most popular genres that are happening right now. House, Techno, Breaks, Dubstep, Nu Disco/Indie Dance, Electro (House), Prog House, Trance, Tech House, Trip-Hop & Witch House. I’m not sure the last one should be on the list but I’ll give it to her because she knows her shit.
Check it out, and the next time some fool is all “zomg wut r dubstepz?” you can just forward them this and get back to listening to your psy-trap-core compilations. Check out more of her cool stuff right here:
http://www.ayeshaadamo.com/
http://twitter.com/ayeshaadamo/
(Image property of Ayesha Adamo)
Coming at you again with another 25 tracks that dropped in the last month, I think you’re going to like the collection I’ve put together here. A bit more trance heavy than last month, which is always a plus for the trance people out there, some really deep dubby stuff, a few chilled out tunes, a track off that sick Arkasia EP I raved about a week ago, a track by Flexstyle that can only be described as Trance-Hop and a few choice tunes from MixMag, who has been killing it lately when it comes to their Soundcloud stream.
Also at the end is my favorite mix of the month, the magnificent Luvstep IV done by Flufftronix & Dirty South Joe. It’s one of my most favorite mixes of the year, and if you don’t know it, get at it 😀
Get at them and post up your favorites in the comments!
Every once and a while, I remember a track, an artist or an album that I’d totally forgotten about. While it’s probably an indication of my advanced age/geezer quality, it always makes my day. Some amazing track that completely exited my head and then pops back up years later. A particularly compelling new friend of mine reminded me that a progressive trance group named Hybrid existed and I couldn’t figure out why that name sounded familiar. I brooded on it until it hit me, I’d had a track of theirs on my mp3 player when I backpacked across Europe in 2005. Racing to my computer, I punched Hybrid into my media library. Lo and behold, only one track came up, and it was absolutely critical to my roaming dozens of cities across a healthy portion of the continent.
The track clocks in at 8 minutes, which more than twice as long as your standard dubstep or poplectro tune, something the younglings haven’t really ever seen. This is old school trance. As in, it came out in Nineteen Ninety Fucking Nine. That’s right, 1999, before Y2K and all the other crazy bullshit the oughts wrought. The original track was done by a collaboration between Ferry Corsten & DJ Tiesto, which lasted for a grand total of 6 tracks. Walhalla was the first single of the group and it came with a remix by Armin van Buuren and an “Echoplex” remix by Hybrid.
This Echoplex remix is exceptional, both by trance & general EDM standards. The echo’ing of the original beat, spread over minutes, slowly builds the track to a hushed but fevered pitch. The track maintains the build for easily 3 minutes without getting stilted, boring or annoying. Par for the course when it comes to old school trance I know, but these days, guidos start shouting if there isn’t a breakdown every 120 seconds. Six minutes in, the track peals into the 4/4 beat without thunder or applause, but just gallops along. Keeping pace with your expectations and (hopeful) dancing pace. There’s not a sound out of place, and Hybrid made sure that everything they wanted from the original was there, with them enough to give it their own distinctive feel. Check it out, you might like it.
This is Terry Gotham, see you on the dance floor.
This is more of a public service announcement than anything else. This week, Armin’s ASOT podcast counted down the top 20 trance (progressive, epic & uplifting) tracks for the year. This 2 hour compilation is a round up of the favorites that were voted on. And because it’s Armin, the votes number in the 5-6 digits from people around the world. I still cannot imagine that this guy has been putting out 120 minutes of Trance weekly for the last…592 weeks. I’m a huge fan of Armin, here’s a track you probably haven’t heard by him:
10 years of trance. And people still assume that the genre is encapsulated by Sandstorm, Children and that one time they saw/heard Oakenfold back in the late 90’s. Armin’s track recommendations have become a staple of the trance community, influencing dozens of weekly/monthly podcasts by other EDM artists, from Ferry Corsten (Corsten’s Countdown) to Tiesto (Club Life) to Paul Oakenfold’s wonderful Fluoro series. The proliferation of regular music/mixes being put out by the best (and the newest) artists regularly is something that we would have killed for back in the days of sharing music over AIM, Napster, NewsGroups and trading beats/midis with floppy disks.
The track selection is definitely a great representation of trance in 2012, with huge favorites like “I’ll Listen” by AvB & Ana Criado, multiple tracks by Andrew Rayel, who almost seems genetically engineered to produce tracks for ASOT. W&W, Markus Schultz, Solarstone and Aly & Fila also made the list with some stunning tracks, plus a new favorite for me, Giuseppie Ottaviani, an Italian trance producer I’d just never heard of before. Definitely someone I’ll have to keep my eye on.
Great mix of tracks for traveling, cleaning up the house before relatives arrive or just celebrating the season.
This is Terry Gotham.
Peace on Earth & Good Will Towards Men.
I would like to say that I’ve been able to listen to dozens of mixes and tunes in the last few weeks, but since a young fella from New Jersey dropped a mix of his favorite Seven Lions tracks, it has been on exceptionally heavy rotation. Seven Lions is probably one of the most unique sounding musical acts I have heard in years. The brain behind it, Jeff Montalvo, started as a drummer and, after going to his first rave in 2007, immediately began percolating on how his sound would change. Seven Lions first break out hit, a remix of “You Got To Go” by Above & Beyond, was a stunning success, sitting at #2 (under Skrillex of course) for weeks on the Beatport charts. The track features prominently in the mix, sliding into your awareness at 4:40ish in, giving you a healthy dose of trancey dub.
I want to emphasize that Trance + Dubstep isn’t a combination I’ve ever heard before, anywhere. There are only a handful of domestic artists that are producing trance non-ironically these days. To ask one of them to also be competent when it comes to the wobble that the kids are listening to these days seems almost selfish. But, Seven Lions proves capable in both of these domains. His remixes of “Still With Me” (by Tritonal featuring the wonderful vocal stylings of Cristina Soto) & “On My Way to Heaven” (another transcendent tune by Above & Beyond) add a layer of massive & ethereal beats and chords to already insanely popular tracks. At about 15:45 into the mix, one of Seven Lions’ signature breakdowns explodes into your mind, producing this absurdly good beat pushing you to get off your ass and move.
It is so bizarre to feel the “must dance” feeling one gets from uplifting trance in the middle of a dubstep breakdown. I could yammer on for paragraphs about how each track was chosen carefully, the transitions are fluid and the emotion/energy is maintained throughout, but that would be you reading and not listening to it. So get over to Synovia Futurism‘s page, put the mix into your ears and then go whore yourself out to make sure you’ve got the money to buy Seven Lions’ EP here. I certainly did.
This is Terry Gotham, see you on the dance floor.
The two break-dancing gentlemen right in front of the DJ booth at Sullivan room had amassed quite a crowd considering it was only 11:30 PM. Deuce Stenstrom was spinning another one of his infectious “funhouse” sets (as his girlfriend lovingly refers to them), and the rapidly growing crowd was loving every second of it. As I sipped my Amstel Light, the deep bass & creeping melodies pulled person after person out of their seats, away from the bar and onto the dance floor. Deuce, opening another one of the Friday night SOUP parties, is one of the few DJs in the city I bust my ass to never miss. We go back years, and his work never disappoints. The wobbly,jolly sound, infused with old school house & techno tracks, is unique among the DJs I know in NYC. It reminds me of Falstaff because of its gregarious, bouncy, bubbly feel. But, back to the breakdancers.
Two smartly dressed black guys were popping, locking & breaking back and forth, turning the floor over to each other after they pushed out routines of increasingly complex & ridiculous moves. They kept tempting each other, baiting each other into doing crazier shit, and before long, the front third of the dance floor was devoted to people standing around in awe of the twin Nubian cyclones of fashion & footwork. Deuce kept the energy building so eventually, exhausted and to thunderous applause, they stopped, took a bow, and headed to the bar to get some congratulatory drinks a few people rushed to offer to purchase for them. As the dance floor repopulated and Deuce’s set finished up, I headed to the door after congratulating my boy on crushing it for the dance floor before midnight, a skill in serious demand these days in the Gotham Underground. I had a date with Ferry Corsten, and my only concern was whether the club he was spinning at (PACHA NYC) would let him work his magic on the decks without interference.
Pacha generates very strong opinions among clubbers in NYC. A long standing institution in Ibiza, the NYC off-shoot on the west side in midtown is generally treated harshly in the eyes of the community, especially those in the lower-income brackets. The main room turns into a stifling, churning amalgam of sweat, alcohol and stays that way until sunrise. Despite this, Pacha devotees swear by the sound system, the lighting and the imported talent that creates parties that approximate the bastardized love child of Ultra Music Festival & the Meatpacking District, crammed into a not-quite-large-enough warehouse a few blocks from the Hudson river. Thousands of Gothamites have sworn to never set foot in the club, due to the fact that it’s usually a total clusterfuck by 1 AM. While I usually don’t inflict that kind of environment on myself, tonight I was on the VIP Press list.
After skipping the regular line and being treated wonderfully by Pacha’s front of house staff, I picked up a jack and coke and found a spot on one of the comfy leather couches that ringed each of the absurdly priced tables next to the railings. The tables allowed for a birds eye view of the main dance floor, the DJ booth, and provided a handy way to empty your bank account in under 6 hours. While I had no intention of spending upwards of three to five hundred dollars on a bottle of champagne or vodka, others were snapping the tables up like a cheap HDTV at Wal-Mart the day after Thanksgiving. The openers for Ferry were doing a tag-team set, switching off between big room house and some mildly interesting trance that kept the (already packed way past capacity) dance floor throbbing in preparation for Ferry. The names of the duo escape me at the moment, but they were competent enough that I managed to stay entertained until Ferry hit the decks right around 1:15.
He broke into some of his bigger anthems immediately, with his track “Feel It” reminding everyone in the club that he was now in control and serving up a serious dose progressive & uplifting trance. I was delighted to see Ferry had been given free reign on the decks, and wasn’t pressured by the Pacha management to modify his sound to fit the feel of the club. After seeing Ferry spin electro and house at Electric Zoo and being severely disappointed, I could not have been more pleased as the trance continued, occasionally accenting the set with a more poppy crowd favorite, such as “Language” by Porter Robinson, or “The Force of Gravity” by BT.
While the set was building I started chatting with a gentleman who was dancing to the sweet-ass trance music that was oozing out of the speakers, and he invited me back to his VIP table. Apparently he’d purchased “six or seven” bottles of champagne (he couldn’t remember which) and needed some help consuming them all. Never oneto be impolite, I graciously accepted his offer and introduced myself to the Brazilian soccer players that shared the table with him. I sipped my champagne, leaned back on the couch, felt the bass and listened to drunk Brazilian guys aggressively hit on every girl that walked past them in their exceptional Portuguese (and total lack of English).
The epic set continued for hours, with most people not moving off the floor, especially when a personal favorite of mine “One Thousand Suns” ft. Chicane, hit. Girls screaming, people dragging their friends up and down stairs in heels, racing to make sure they didn’t miss the drop. “Trigger” by Marcel Woods & W&W could not have come at a better time, and “Live Forever” (another of Ferry’s tunes featuring Aruna on vocals) ensured that the entire first floor of the club reached face-melting status. The track absolutely killed and even the VIP peeps stopped hitting on things for 5 seconds while the beat and trancey breakdowns had them shaking like Beyonce. Around 3:30 AM he managed to tear himself away from the decks and we beat a hasty retreat before the proletariat downstairs realized that there wasn’t going to be another encore. After many glasses of gratis champagne, I bid my new friends adieu and disappeared into the night, high on bubbly and the fact that Ferry absolutely killed it. Can’t wait to see what he has in store if he comes back for A State of Trance 600 with Armin Van Buuren.
This is Terry Gotham, see you on the dance floor.
Terry Gotham 