What’s The Story Morning Glory? 6 AM Dance Parties In The UK!

http://www.huffingtonpost.co.uk/2013/08/05/morning-glory-pre-work-rave-boost-creativity_n_3707097.html

HuffPo Lifestyle UK reports that the UK has started having sober, 6 AM parties. Free coffee and massage will be provided, but do NOT show up from a night of raging. This is apparently for all of the people who seem to need to shake thier moneymaker before heading into the office. What do you think? Would you be down to get in an hour or two of booty shaking on a Wednesday morning? Apparently they have smoothies so I might be able to be convinced, depending on the genre of music of course. Hit up the page and hit up the comments if you can’t imagine dragging your sorry ass to a dance floor before 11 PM.

Pussy Riot Playing Live in Brooklyn on Feb. 5th!!

http://www.bust.com/pussy-riot-live-in-brooklyn-feb-5.html

Pussy Riot in Brooklyn. February 5th. I’m not sure why you’re still reading. It’s certainly going to be a better show than Sochi. Real “been to jail for it” punk? Get out there and do you ancestors proud.

Ten Questions With Terry Gotham: The Festival Lawyer

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1. How did you go from regular law to festival & drug law?
I actually have a “real job”  as a law partner in my own criminal defense firm. It’s super satisfying and busy enough that I don’t have any need to use “The Festival Lawyer” to market for new clients.  I  write under “The Festival Lawyer” name in part because  I want people to understand that  I’m not their  lawyer and not trying to represent them.  I just really like music and festivals and believe that if I can  pass on some of the things that I know,  that it might make everyone feel a little safer and more empowered. The basic Festival Lawyer message is  that we can make festivals (and everywhere else, actually) better through Education, Empowerment and  Positivity. 

 2. What was your first party, how did you enter the scene?
I was a college radio DJ  and actually played parties as a DJ in the 80s.  The San Francisco Bay Area in the 80s was a very happening place for music. There were a ton of  clubs like “DV8” in SF where  they  would play dance remixes of New Wave, Goth and Techno music with music videos going on.  So that’s what I think of when it comes to my introduction to a “Dance Scene”. It was a very DIY and local scene. People would just hand out flyers to some travelling  warehouse party they were putting on that weekend.That’s how local it was.   Considering how it started as this small group of promoters and DJs it blows my mind what a global phenomenon EDM has become.It’s amazing. 

Midnight Music: New EP By Duck Sauce!

A-Trak & Armand Van Helden need to be purchased Chinese food for the rest of our lives. Every time these two hang out, the catchiest, funkiest shit in the universe comes out. Duck Sauce originally broke with the MRSA-level infectious “Barbra Streisand” and seems they’ve struck gold again. Honestly, this casual, mini-offering is groovy, stupendously well produced, sourced like a fine wine. Both of these guys get better with age and I can’t wait to see them hang out in NYC.

Because Duck Sauce:

The bassAware Drop Is Now Available For Purchase! Personal Bass FTW!

http://www.bassaware.com/products/the-holster-aka-the-drop

The surprisingly awesome bassAware system (named “The Drop”) that I wrote about being Kickstarted (is it a proper verb? I feel old) a while back has arrived for retail sale! It’s coming in at approximately the same price as the kickstarter, a little less if you were late to the game. Just in case you thought I was kidding, it’s totally bass on your body. From the item description:

The device uses a tactile transducer placed on your upper back – this is a special type of audio driver creating vibration rather than sound. These sensations travel through your body to the inner ear where your nervous system translates these felt vibrations into “heard” sounds. The result is an immersive bass experience that no one but you can hear or feel.

One of the points that the inventor brings up that I think is important to note, is its utility for touring DJs. There’s very poor monitoring in the vast majority of venues, and the bass/sub-bass is even worse. Using this, a DJ can get a sense of what’s coming out of his outputs, without obliterating their hearing or lugging studio monitors on the road.

Midnight Music: “My Year In The Rain” by Strife II

Strife II is one of my absolute favorite liquid Drum & Bass producers in the UK and the world over actually. There’s a quiet beauty to his symphonic, intensely well produced tracks. I can’t wait for someone at Hospital Records to stumble upon this sound and shove him into a room with Etherwood, Camo & Krooked and High Contrast. The drum & bass world will thank you Tony, make it happen.

What Lies Beneath: New Year’s Eve Starring Infected Mushroom, Savant & Astrix

(This is my New Year’s Eve review, done for Electronic Night Life. Hit up the original post here & show the blog some love for giving me some sweet access.)
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I’d always assumed Savant would be less of a baller in real life, but it seems I was wrong.While a million people were partying less than half a block away from the theater, inside & down one escalator, we found ourselves ensconced within a bubble filled with ravers, club kids, New Year’s revelers & a heaping serving of psychedelic trance, dubstep & banging electro. They were able to  create a party inside of the pocket dimension next to Times Square, where if I didn’t know better, I would assume it was just a regular night outside, and not be playing second (or third) fiddle to one of the biggest parties of the year.

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By the time we’d negotiated New Year’s checkpoint after checkpoint, my companion & I were granted access to Best Buy Theater to see Infected Mushroom, Astrix & Savant. This massive performance was going to be Infected Mushroom’s first since August & Astrix’s first in years. Savant was doing excellent work when it came to revving up the crowd as he transitioned from Beatport Top 50 tracks to his symphonic but bassy self-produced tunes. The GA was eating it up, so after dealing with the New Year’s-amplified drink prices, we settled in for a long night of amazing beats & psy-focused music just as he was finishing his massive set. The set must have got the attention of hundreds of attendees who are hopefully downloading his new CD, “Orakel,” at a rapid pace in thanks for such an attentive & non-prerecorded experience. DSC_0071

We’d gotten the ok from security to start photographing right as the Fungusamungus stations began powering up. These spheres, the centerpiece of the Fungusamungus tour, were truly a sight to behold. 2 professional-grade projectors bathed the stage in what seemed like millions of colors, mapping complex images, shapes and color gradients to every surface on the spheres. Dudev & Erez were hidden inside, pushing the signature Infected Mushroom sound out into the theater, while the crowd got more and more excited. I’ve definitely seen Infected Mushroom perform without any of these new fangled toys, and it was a sight to behold then. This pushed past anything I’ve seen outside of Amon Tobin’s tour. Incidentally, I was informed at the show that the same group that did Tobin’s insane new set-up, did Fungusamungus. So there’s that. DSC_0369

The set did not disappoint. I’ve seen these guys perform for years, but not since they added their latest round of Friends on Mushrooms compilations, and a show of psychedelic rock-drenched trance was given a delightful topping of massive dubstep, electro and the odd classic that everyone seemingly knew the words to. To hear younglings chant all the words to Cities of the Future brings a tear to this old chestnut’s eye. Becoming Insane, Vicious Delicious & tracks from the later offerings including their track with Savant, kept the crowd moving.

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As they finished, we began to make preparations to get a drink in between the set change, but roadies just came out, dropped decks & laptops down, then the two Israeli champions of psy-trance came out and straight DJ’d for the next half an hour, back-to-back. They hadn’t had enough so they kept doing work with the insane 3d projection work going on behind them. We got comfy and watched them slowly transition into Astrix. Who, not to be taken lightly, exploded out of the gate with some seriously stompy full-on psy-trance.

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The crowd, that was clearly going to be there until the floodlights came on, whipped themselves into an even greater fury than they’d been maintaining previously. The GA spread out, people gave each other room, and the sizable remainder really began to cut loose. Everyone was amazingly happy to be there, to share the night and to get the chance to enjoy some crowd favorites until as late as they’d let us play. Enjoy my favorite track that Dudev & Erez obliterated the dance floor with below:


Great night, great way to ring in 2014, great job Best Buy Theater for handling the event with such finesse. This is Terry Gotham, see you on the dance floor.

Midnight Music: Tiesto & Kaskade – Only You ft. Haley

Tonight, I wanted to celebrate a rather delicious track that I totally forgot existed. In 2010, Tiesto hung out with Kaskade long enough for the two of them to create one of the better, but under-received hits of that year. Kaskade’s smooth atmospheric house came together with Tiesto’s ever progressing signature sound. It was trance-y, but not too far out away from the euphoria the masses crave. It’s a great listen, and definitely a pick me up when you need one. Welcome to tomorrow!

New World Punx Drops First Single “Romper” & Music Video

While some of us had the good sense to not miss their debut performance at A State of Trance 600 (reported on here), the rest of the dance music world got their first taste of the New World Punx, the new mega-collab between Ferry Corsten & Markus Schulz, at either Roseland in NYC or Palladium in LA. The act is harder, more in your face and definitely way less ethereal and smooth than an act like Above & Beyond or something of the like. However, this is by design, as the two mega stars relayed to Billboard last week.

Romper is an intense, stompy track that infuses a serious amount of “you’re two steps from hardstyle” energy into the dance floor. They are acutely aware of the stagnation of mainstage dance music these days, and as Billboard reports, they’re down to drop the drop as it were. Keep the energy up throughout the set, and not wait for the same build/drop/blowout formula that caught trance, electro, house and is slowly entangling trap within its unimaginative tentacles.