Monday Music: Wayvee, Pensees, Mazde, Jerry Folk & IsGoods

New week, new tunes! Hope the long weekend is treating you well if you’re off. If you’re working on this Presidents Day Monday, turn on, tune in & drop out.
Wayvee‘s Recovery EP is a lilting, chilled melodic future footwork feature. The reworking of the classical music is something you hear every so often, but it’s rarely this good. The soft operatic melody above the future bass & footwork is a treasure that you need in your life right now.

Pensees misted into my awareness last week, one of those artists you almost don’t notice if you’re not paying attention. The melodic chill is expertly produced, creating an aural landscape you don’t much hear in the USA outside of artists like Haven, glo & a couple of others. It’s evocative while faintly nostalgic, so put it on and drift off. If you can’t get enough of this sound, hit up the bandcamp for 5 more releases in the same chilled out vein.

Mazde has popped up on my radar a couple of times over the last year or two, but this track really brought his talents into light. The German remixed Rufus, pulling from the recent “Bloom.” It’s a powerful track that mixes melancholy, indie & some exceptional chord work. Take a look at this guy if you’re looking for music that’s hopeful without being saccharine.

Jerry Folk & ELOQ came out of nowhere on this one. The half indietronica, half future bass vibes on this are undeniable. There’s also a touch of the relaxed west coast feels we’re starting to see with the Future scene out in LA & SF. Great work, definitely legit effort, and earned a spot on my radar.

Closing out the post with a 2 piece EP from Isgoood. I don’t usually post seemingly standard House because I’ve got a pretty high bar for that genre, as I primarily dance out of doors in NYC to it. This kind of classic vibe is my exception. Done impeccably, the production perfectly captures the SoHo bar, filled with fashionable people who know their house & rock their own style. Props once again to V for always dropping quality on FreshNewTracks, as because of him, I can bring it to you all.

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Midweek Music: SG Lewis, Armin Van Buuren, Ferry Corsten, Farzam & Joman

Another week, another set of reasons to get up and dance. There’s a big range here, but each track definitely gives you a unique vibe and reason to groove. Without further ado, grab your volume control and dive in with me!

SG Lewis tugs at the heartstrings with this one. This future garage triumph takes the recently released Magnets, off Caracal by Disclosure ft. Lorde, adds its own delicious spin and some powerfully relaxed vibes. It’s takes a lot to fuck with Disclosure if your name isn’t Flume, but this is executed well. The break at 1:50 is unexpected but totally welcome. Drift away on this one.
There are things I never thought I’d say when I started writing, and “Here is the new Armin Van Buuren & Cosmic Gate collab” is certainly not one of them. This kind of stab at a classic trance vibe, Armin-ified is packed with shimmering nostalgia. The punch and ethereal feel is a throw back to trance that we listened to a decade ago. While it’s definitely more of a festival banger than anything from that era, that’s really only because we’ve actually got festivals outside of Amsterdam now. A huge tune I expect to hear in sets for months, blast this. Annoy coworkers & significant others with it, this one is worth it folks.
Continuing the classic trance vibe, Ferry Corsten released his remix of Ayla’s Ayla from 1999 on Soundcloud. Ninety fucking nine! The world was entirely different back then. Anyone who knows Ferry can tell just how long ago this collab with Vincent de Moor took place. The two break structure, the restrained production, the deep Northern Europe feel, it’s all there. If people want to know what dance music sounded like a generation ago that filled stadiums, you play them this.

Switching gears entirely, coming back into the future to a track released two days ago by a producer from Germany with Arabic vocals. This kind of melodic dubstep is really easy to screw up, but FARZAM does spectacular work on this tune. He seems to be a producer of cinematic, trance-y, stepp-y tracks and a gifted one at that. It’s a wonderful effort and I really want to hear more like what’s happening at 2:14. It’s a gorgeous sound that the world needs to hear. Enjoy it & thank him for making it.
Last but certainly not least, I’ve gotta give it up for Joman. Ever since he made the greatest dubstep remix that has ever been and ever will be made in the history of dubstep remixes, I’ve kept a close eye on this guy, occasionally being a somewhat creepy cheerleader. But, he continues to hit his stride and pushing the edge of his skills. This new tune is no exception. It’s a wobbly electro feeling tune with a hard driving progressive edge. This is usually a genre and a toolset I can’t take seriously, but like TheFatRat and Madeon, he’s using the shimmering chords and the vocals appropriately, while backing them up with a well derived punchy beat. The dubby breakdown at 2:30 reminds everyone that Joman can produce with the best of them and deserves your attention. I’m gonna keep repping this dude, and not just because he’s a Master of Karate & Friendship.Beneath a Neon Sky is a certified banger that is going to get picked up.

Midweek Music: DZZ, Mobil, Win & Woo, The Kairi Collective & Priscilla Sharp

summer New week, more music! One classic, couple newbies, all quality & no bullshit. Wide variety this week, so let’s get into it!  DZZ came out of nowhere on this one. With a premiere on Nest HQ this week, DZZ is going places. This tune is at once chippy, future and melancholy. The production values are off the charts on this & the drippingly synthetic vocals are stupendous. This is my sleeper hit for the week, so get into the whole EP here.

Collectives are so hot right now. The Kairi Collective dropped this release and I couldn’t be happier that they did. This chilled vibe is unmistakeable. The glitchy, dubsteppy sounds work perfectly with the classical violin, piano and shifting chords. Really looking forward to where Pensees, Quok & Jan Amit are going with this as this effort is tremendous.

 I’m so glad Tropical has turned into an element of music production, instead of a genre of music. Just like dubstep before it, people are realizing that steel drums & sexy sax do not a song make. You still need a hook and possibly some catchy lyrics. Win & Woo have a great little ditty here, and have a soaring mainstage career in front of them as long as they do the work.

This one takes a minute to get going, but you want to give it the time it deserves. Like a girl who knows what she wants, this track takes its time and really explores a sound that’s both future & 90’s vintage. I don’t know how to describe this, except maybe if Cyndi Lauper did some K & then took some allergy meds. And I mean that in the best possible way. It’s like if The Eurythmics had a Macbook to produce on. Trust me, you want to hear this. Priscilla Sharp knows what she’s doing so don’t disappoint her.

Classic trance vibe right here, and it’s from 2013. This really doesn’t need any further introduction besides it being euphoric trance that needs to be played on high volume. Mobil does amazing work here, so show it some love. And if someone can clue me into where I can get more full-length mixes of this style of trance, hit up the comments.

Midweek Music: Chill With Haven, Unforseen & glo!

summerYou’re going to like what’s up today. Especially if you’re a fan of the more meditative, less bro-infused beats of the chillstep, chilltrap & downtempo universe. Two of my favorite new acquisitions this season, Haven & glo, are here. There’s an original from unforseen, another artist on this tip. This is the opposite of the rampaging armies of EDM out there. Take a minute, sit, relax, breathe & enjoy.
This is my jam right here. Trap Nation picked it up,  you know it’s not like me to sing the praises of trap too loudly. This kind of shimmering chilled but massive vibe is where I think that genre needs to go, hard and fast. Haven proves his chops as a producer with impeccable timing and wonderful execution.
There really is so little like this out there. Haven & glo working together on this one, building a soundscape that shines through the clouds. A muzzled backbeat, soaring vocals and a tempo that never rushes. What more could you ask for?
This, actually. Haven teamed up with glo again recently and this track is the softest fire I’ve heard in years. The subtle intensity of the production almost overwhelms the chillness of the tune, but it never quite gets there.
A gorgeous piece in its minimalist build, sweeping vibe and entire lack of a beat. That’s right folks, there’s not one here. “i never meant for it to end like this” with a picture of driving away in the rain tells quite a story, as I bet a lot of these songs do. It’s wistful & never meanders into hatred or love. Just a light, sad grey. Because it’s Wednesday right?
While I’ve been on the glo train for a while, the addition of Trap Lord & the smooth melodic stylings of Madi Larson make for a gigantic trio. The track could find itself in a movie sequence, with Childish Gambino rapping over it, or just the soundtrack of my life as I walk through the hot summer nights.

Midweek Music: Avicii, Ferry Corsten, Wyclef Jean, Delta Heavy & More!

Between July 4th & Labor Day, people check blogs less, they vacation more & need tunes to move to. For the summer, instead of doing music at night, I’ve decided to try something different. I’m going to try and put together a weekly set of tracks, most new, but the occasional oldie/goodie, for you, my faithful readers. Let me know if it’s a good idea.  Ferry Corsten remains one of my most favorite DJs, though he rarely gets to spin the music I love him for. Even though when he headlines mainstages, he does a lot of electro house & progressive, in my mind, he will always be a pure trance DJ. With this release and his recent new Gouryella track, it’s as if he has been reading my mind. The break at 3:19 is one of the best in the world and has been for years. This is a staple in his sets across Europe, but I’ve definitely been privileged enough to hear it on our shores on more than one occasion.  Mixmag premiered one of the better remixes of Giorgio Moroder’s new track “74 is the new 24.” Yes, that’s actually the name of the track, he’s really getting down and funky at 74. The tune has some interesting little guitars and some “I clearly listen to Daft Punk” vocoding effects which are totally welcome. It’s got a vintage, funky feel, while keeping the energy up in a 90’s dance kind of way. Kris Menace & Lifelike have grabbed my attention with this track, so y’all should keep an eye on them with me.
 Avicii is back, and he brought Wyclef Jean & Matisyahu with him. It’s a strange departure for Avicii and I wonder who wanted this deal to come together most out of the trio. Matisyahu & Wyclef Jean drop perfectly capable/dope rhymes, and the reggae vibes on this are strong. Avicii brings in the bluegrass & country influences from his previous work, as you can hear in the builds and lead up to the chorus. This is definitely a step in a new direction so definitely let me know if it’s something you’re feeling.   Bringing the energy down entirely is Glo. This downtempo/chill artist has studied at the School of Burial and we’re all better for it. I cannot get enough of this kind of sound. Do not play this for people on drugs, but if you’re sad, you just got dumped, or if you’re just walking in the rain, this is your jam. I know it’s mine, and if you want more, check out glo’s album saknad here. The list of tracks is fantastic, and it will get you through.  Last but certainly not least, Delta Heavy‘s got a new jam that’s out July 17th. This is no bullshit Drum & Bass. Classic, perfect Delta Heavy, like only he can be. Delta Heavy is able to use female rock vocals in a way I don’t think anyone else in the space besides Flux Pavilion can touch. And now I want to see a Delta Heavy/Flux Pavilion b2b set.

That’s it folks, leave a comment if you liked this format & want to see it again, or if I should get back to a track a day. I live to serve.

Midnight Music: Bon Iver – Perth (Mi Ka Remix)

Bon Iver - Perth (Mi Ka Remix)

Bon Iver  – Perth (mi ka remix)

This remix of Bon Iver is (to  quote V/Man), too chill for words. There’s a magic to Bon Iver’s tracks originally, so watching this evolve into a golden tune is a quiet joy. mi ka, hailing from Stuttgart lays his spell on you as a listener. It’s got hammock & summer sunshine written all over it. Don’t spend too much time thinking about it, just relax and enjoy. The soothing, smooth bass blends into the bird chirps and soft guitars. If you can’t find a calming breath during this song, you may need to cut back on the Red Bull. As the weekend draws to a close, simmer down with mi ka & show him some love!

Midnight Music: Haven – The Truth Is, I Love You [Dream Bass]

Haven - The Truth Is, I Love You

Haven – The Truth Is, I Love You

Haven is blowing me away. This track got picked up by Insight Music, this splendid little chillstep, downtempo, ambient, future garage & bass label out of the UK I follow. Their monthly compilations are a dreamy mix of up & coming underground artists always has something interesting. This one made me stop what I was doing and pay attention. The massive low end & heart-wrenching vocals scream for this to be played live on a significant system to give it the sternum-vibrating live experience we all know it can deliver. I really want to hear more from this guy. Haven is from Stockholm, which is apparently where Dream Bass is made of. This is a cloud of emotion being vibrated by a subwoofer. It understands you, doesn’t judge, and may cry with you if you start. This is a track I want to make a music video or a party concept around. See someone walk through a crazy, dreamy party experience with this in the background, or a chill space with this kind of aural & visual aesthetic. What do you say? Would you come? Apparently he works in NYC, so I kind of want to hire them to spin an afterparty now.