If you want a good idea of what the inside of my mind has sounded like for the last couple of weeks, just put this on repeat. This duo, made up of Alex Toni and Rodion De Charme out of St. Petersburg has created some amazing tracks, but this one is a fantastic stand out. The combination of soulful lyrics, soothing beats & perfect production is the reason why it’s been on daily repeat. They recently came out with a new track, which can be listened to here. They are able to capture a smooth, almost hopeful melancholy that you don’t hear in dance music much these days. Listen to this in the sun, or while walking in the light.
Today Ravelrie, Stay Safe Seattle & NY DanceSafe are talking Mephedrone & the modern era of drug confusion. After hearing people confuse mephedrone & methadone for the hundredth time, we decided to parse some bullshit & get the info out to everyone who is looking real dumb at parties talking about the wrong drug. The easiest way to remember the difference between the two is to look at the end of the word. MethaDONE is for trying to quit heroin or pain killers, while MepheDRONE is the first gen bath salt rumored to turn you into a mindless crazy person. So, think “DONE” for “done with opiates” & DRONE for “face eating zombie.” More specifically, Mephedrone is the thing your mom got terrified you were doing after the tragic/morbidly hilarious face eating incident in Miami. While it was later proven that the guy didn’t actually have any “bath salts” in his system, the moniker stuck and now we’ve got terrible rumors of how bath salts turn into cannibals. The substance was stupendously popular in the UK from 2010/2011, with an almost total drop off from 2012/2013 on. One note, the only reason they’re called “bath salts” is because labeling them as “not for human consumption” is what allowed headshops to sell these drugs “over the counter” because they were going to be used as incense, not ground up & snorted. For more information on this legal, then terrifying, then banned, then internationally scheduled substance, The Guardian has a fantastic timeline/information vault about the drug.
Mephedrone is a great example of how a substance using population will react to changing conditions on the ground. As the purity of MDMA weakened in the late 00’s/early 10’s in the UK, more and more people switched to legal highs such as Mephedrone. So many did, that an entire ad campaign reminding people they were new psychedelic substances (NPS) was launched, including the first image in this post & others like it. As the purity of MDMA climbed back into acceptable ranges, fewer & fewer people were willing to keep beta testing the drug with their bodies. While the international community finally got around to scheduling the drug this month, some of us asked a. What took them so long, and b. Why now? The drug isn’t cool/used heavily anymore, so what’s the point?
Methadone is the standard treatment opiate (heroin, morphine, Vicodin, etc) users receive, usually after they’ve been processed by the mental health, substance abuse or law enforcement systems. Methadone essentially just replaces heroin with a drug that prevents physical withdrawal, but does nothing for the user, from a mood, pain-killing or recreational perspective. A long-winded explanation of why Methadone is the worst way to treat opiate addiction is beyond the scope of this post, as you’re already getting bored reading this I wager. But for a great write-up of what the process looks like, especially in poor areas of the world, read this VICE report from Saskatchewan, and not the nice part. This is one of the many ground zeros for drugs, crime & gang violence in the world, with heroin & methadone intertwined deeply.
Now that you know the difference, use #meowFF to join the chat this afternoon, 4:30pm EST, 1:30pm PST on Twitter!
Nero – The Thrill (Porter Robinson Remix)
Yea, this collab needs to happen way more often. The track of today could only be Porter Robinson’s stunning remix of The Thrill by Nero. The remix hits this apex when it comes to production, stupendous production values, respect of the original work & blowing the lid off of it at the same time. The arpeggio work is second to none, with Porter reminding everyone he creates soundscapes, not songs. This shimmering remix is one of the first true post-Big Room offerings that aren’t gimmicky. This type of Future Electro really has a shot at unseating the idiocy of Brolectro & Big Room. The power goes crazy, but he never loses control. Porter has shown he can be a master at the massive yet crystalline & this new release is no exception. Put it into your face post haste. At this point, it’s so good & good for you it might as well have Vitamin C in it. (via This Song Is Sick)
Really, if you don’t know the significance of this image, educate the mind. Johnny Cash, Folsom Prison, 1968.
This is a new one folks. Sitya Loss is a fresh sound coming out of Uganda. This combination between dancehall, dub, reggae & juke footwork is fantastic, and these kids couldn’t agree more. There’a little more information about these kids from the slums of Kampala in an interview they did with Ugandan TV. They were slated to appear on Ellen at some point but the kids were denied visas to travel to the USA. However, that shouldn’t stop you from enjoying the joyous & energetic work by Eddy Kenzo. I’m not the biggest fan of dancehall, but there’s a tremendous amount to like here. The vibe, instrumentation & production value is wonderful. Check out the official music video below as well. (via Metafilter)
Any fan of indie, pop or alt dance should be salivating at the fact that the word Ratatat is in my title. This is some classic Ratatat right here. The guitar work doing the heavy lifting, with a clever, understated video to go along with it. Ratatat earned the opening slot at Daft Punk’s shows here in the USA for a reason. The seemingly overly simple music reveals a level of composition complexity that is rare for kids with hair as long as they’ve got. This is definitely a track not to be missed, as is whatever follows. Trust that if this is the herald of a new album or a new tour, you’ll hear about it first right here. This is their first new song since 2010, so, sit up, take note and put it into your face.
In one of the better decisions ever made in the history of Trap music, Bombs Away, an Melbourne Bounce group decided to sample Homer Simpson. That’s right, an Australian bounce act took some of the best quotes from that Simpsons Halloween where they remade The Shining and turned it into a preview/tease. Thanks to Laughing Squid, I’m now of the opinion that this track now needs to come out. I’m sorry. It really, really does. The sample capture is perfect, the use is perfect and the synthetic beat created from Homer’s scream is how you say, Perfect. The last time I heard a competent Simpsons dance remix, it was 2003 and it was psytrance. (Yes, of course I linked it below, and it comes in around 4min, 21sec in)