Well, in light of the Major Lazer remix that came to light yesterday, I just wanted to be THAT guy, and remind everyone about the other remix of Tennis Court. Flume just sold out 3 nights in NYC, and if you don’t have a clear idea why, just put this tune into your ear holes. Flume has production that is unrivaled, with massive remixes hitting and his name climbing the festival bill very quickly. And if this tune doesn’t convince you, check out his remix of Gold by Chet Faker. I swear, the Aussies are combining their powers Power Ranger style. This is some potent, soulful & massive stuff.
Ok, this is funny. Bill Burr had some words about DJs (on Conan I believe) and scored some points busting on EDM culture in front of a live studio audience. Burr has a way with words, and I’ve been a fan of his for a long time, and these jokes were right up my alley. I was delighted to find out a Gotham City DJ Raffael De Luca pushed out a hilarious remix of this vocal work. Can’t believe it took me two weeks to get up on this! (via EDMTunes)
Coming at you to wind down the weekend, Nutritious brings in some of the deeper, rounder, groovier elements of the dance music spectrum for this delightful mix at his return to Cielo. The last time we saw our hero there, he delighted & blissed out the crowd. I assume this time was more of the same. From the sound of it, I’m not sure how it could be anything but. Wind down with this fun mix and make sure to show Nutritious & SpinSpinNYC some love.
Listen up kids, Tommie Sunshine did us all a favor with this mix. He didn’t have to drop something from 19freaking92 on us. This is a gem of a mix, that I assume everyone at this party thought was lost. To put this in perspective, I was in elementary school when this party happened, which is funny, since this party apparently took place in an elementary school basement. When people use the word “Rave” this is what one of those sounded like. Take some time and put the 90 minutes into your face when you’re pregaming this weekend. This was only 7 years after MDMA was made illegal. This mix is required listening for anyone who wants to know how we got to where we are today. Without some of the admittedly goofy sounding tracks, progressive, big room, dubstep, trap and everything else y’all hold dear would’ve never happened. Hit up Tommie Sunshine, he’ll learn you.
Tonight, I’m proud to announce Circus Records is putting out a nice little Drum & Bass tune by Dr Meaker. This has an indulgent old school feel with some potent supporting chords. The Circus sound definitely comes out, with the track seeming at home in the faster sections of a Flux Pav set. Sian Evans adds some swaying vocals that are in sync with the pacing. It’s hard to find faults with the release. It’s proper Drum & Bass, not liquid, not psy, not anything crazy. Just your bread and butter D&B that makes me think of hoodies and camo. Not heavy enough to add the gas masks though. Let’s not get ahead of ourselves now :D
Moonsault opens the ridiculously fantastic joint with two of my favorite things. Classic wrestling and sick flow. This solo track really gets at why I’ve been tracking this kid ever since he was cooler than me in High School (Real Talk). To be clear, DVS has a larger vocabulary than you, and also rhymes faster than you. No seriously. I don’t know you, but he does. Editgod has DVS bringing up the rear, getting support from Bill Ding & Laku. The murky deliciousness is proper “will scare the suburbs” hip hop.
Death Adders is an orgy of talent and hardness. DVS again shining brightly 60% into the tune. The bass addition at 4:24 is a STUPID GOOD choice. I cannot overstate how much I enjoyed that drop. Big Baby Gandhi both takes the award for best MC name and if they’re responsible for the beats, best usage of chip under legit rhymes I’ve ever heard. 56k uses the soundtrack to millennial social networking to allow a giant posse of heads to push lyrics out one after the other.
Rap Genius has the greatest description of any track I’ve ever heard when his Mixtape dropped on Noisey (yea that’s right, he’s on that VICE too). I’ll just put it here and move on to the next track:
I had just got a G-Pen the day this got done. I was all “prolly I should hit it like 500 times to make sure it works.” I spent most of the rest of the day blinking. But then this song happened also? Not extra sure how. But so, that’s a full day I feel like.
Oh My God with Majesty is a master class on modern rap. All y’all wanna be MC’s, take notes. Literally. Listen to this every day and write things that strike you about the track. Multiple times, while sober and otherwise. DVS & Majesty pick excellent tracks and DVS gets infinite props for rhyming Twilight. This is a banger if ever I’ve heard one. Black Swann comes out of nowhere with some aggressive beats, as Lakutis comes out swinging. This is definitely up there with Editgod on “oh snap, they might rob me” end of rap. This is something we don’t really hear much anymore, so props.
No Stoppin Us Now has some excellent production behind it. I love hip hop beats with vintage & classical chords while talented people make it happen. Glad to see DVS moving into the realm of production, can’t wait to see what comes next. True Blood brings back BBG & Lakutis for a shimmering cipher that I’m going to have to listen to about a dozen times to even make sure I heard everything right. Much Imagery, many words, wow.
Swann Gangg continues to showcase the good work Lakutis & DVS can do even without a Legion of Doom. Man, I totally forgot that Clarissa’s dad was an architect. “Fuck your favorite anything” is a profound verse, just saying. Daytona 900 rounds out the mixtape with every cool person you probably should’ve heard of by now. A 9 minute hip hop track is not to be fucked with. Put it into your face and smile, knowing that you’ve ingested some quality music from the streets. Yes, actual streets.