
UV boi ft. Fionn Richards & Brasstracks فوق بنفسجي – LUV
I’mobsessed with how future this track is. There’s so much to like about UV boi, and it’s on display here (By the way, the Arabic says ultraviolet.). From the perfect collaboration to the perfect future trap sounds, to the cell phone typing on the beat the whole time, this is the new hotness. The Brasstracks adding their emerging horn jams to the windswept vocals by Fionn Richards and UV boi takes it from there. He takes it and runs with it. There’s a neo-spiritual feel to this, while it also identifies as footwork and future bass. This is why I love the stuff coming out of Down Under. It’s so free from corporate dumb-assery, it takes so many more risks. C’mon, can you imagine anyone but The Chainsmokers adding texting sounds to a track? And then adding them to a future jazz track? I don’t think so. UV Boi makes it happen and we’re all better for it.


The effects of these two high-profile medications are two-fold; not only do they help you focus, but they also curb your appetite. In a society that places so much emphasis on a thin, trim physique with a high powered job that requires extreme-laser focus in order to get ahead, it’s no wonder that some are dubbing the abuse of these medications, which are popped like candy at all levels from middle and high school students, to soccer moms, to high powered executives, our generation’s amphetamine crisis.



Jaymes Young is the He Man to Phoebe Ryan’s She-Ra in the Eternia that is Indie Soundcloud. Now that we’ve put that exceptionally tortured metaphor behind us, this track is exquisite. Phoebe Ryan joins Jaymes for one of the best duets since that summer we were all singing about “now you’re just somebody that I used to know.” This skill when it comes to lyrical genius and tonal perfection from both singers is second to none, and I really do believe both of these artist need solo pop careers. Each has been featured on this site before, Jaymes earning an