Salvia, A Drug That Proves Humans Know A Bad Idea When They See One.

This week, Ravelrie, NY DanceSafe, Stay Safe Seattle & I are talking Salvia. That’s right, the drug you & your friends tried that one time and probably never touched again? It’s a legal in the USA, but it’s one of the drugs that never really caught on here in the USA. This stuff is native to Oaxaca, Mexico, but it’s spread to be available pretty much everywhere in the USA. There are not only regular strength dosages but in head shops around the country, you can buy potent extracts. Just imagine, not only can you get this stuff and smoke it, but you can purchase extracts that are anywhere from 2-40x as powerful. You’d imagine this would have a huge market right? Everyone does, until they actually do the stuff.

As you can see, this stuff isn’t exactly a rocking good time, unless you’re into not knowing where the floor or walls are. Salvia is one of those substances that I think prove, if given time & access/information, the population of users eventually reach a happy medium of consumption. The drug has exceptionally low toxicity & risk for addiction. I’d say the latter is largely because the experience is too freaking crazy to really get “addicted” to in any sense of the word. It’s one of the only substances I’ve seen seasoned drug users do once, and wash their hands of. They know what they want from drugs, and Salvia isn’t it.

To me, this is a prime example of users not getting what they want from a drug and putting it down. It’s widely recognized how crazy the drug is for casual users, and there’s a whole group of Latin American spiritual users & shamans who use it for the opposite of “recreation.” This is how it was used traditionally in Mexico, and it’s probably where the only active populations of really continuous users exist. For more info on Salvia check out the Erowid Vault and join us on twitter at 4:30 PM using #DrugFactFriday!

Midnight Music: St▲rs ▲re De▲d – Where Is My Mind

This takes the cake for most inventive Pixies remix ever. This chillwave/melodic remix of the track is almost not there. If you ever needed a Sunday morning comedown or hangover track, it’s right here. The airyness & ethereal backing is so perfect I feel like I might just be imagining half of it. The pianos feel like they’re being strained through a chemical fog, but still strongly evoke the best parts of the original Pixies track. This is a masterful reworking by Berlin native John Laudani. I hope The Pixies hear this. Possibly when they’re in the spa or something. Because this is everything a remix should be. Totally different, but still worthy of the original.

Mixes Of The Week: D:[JR] & Teddy Roosevelt

For this week, I wanted to spotlight two mixes friends I don’t get to see very often released in the last couple of days. These two are interesting ghost talents in their respective cities, and I couldn’t choose between them, so you’re getting them both. Don’t ever say I don’t give you things. First up is Existential Frequencies by D:[JR]. He’s one of the most technically skilled & thoughtful DJs I’ve ever encountered. The first time I saw him spin live, it was the kind of night that involved watching very fucked up people attempt to fix a gas leak. All things were ok, and he spun a set I’ll never forget. This one is ridiculously well mixed, with seamless transitions & track choices that make me go and spend many dollary doos on things from his track list. It’s soothing, if not a bit dark.  I’ve always thought that this guy was just as competent of a selectro as most of the talent working in NYC. He’s got a dope day job and living the life, so I can’t blame him for not showing up on more billings. This is another understated talent here that keeps me grooving as much as I would in the lounges & bars I orbit. The mix is uptempo but takes its time getting there. It’s almost as if he’s not trying to impress anyone, and just building for the listener who is in it for the long hall. An admiral goal, and one that he pulls off. It’s the slow builds that do it for me in this kind of house, and he doesn’t disappoint. It stays techy, but has spasms of soul & funk that are most welcome. Great work by the former president.

Midnight Music: Nosaj Thing – Cold Stares ft. Chance The Rapper

This is future y’all. Chance The Rapper hooked up with Nosaj Thing to make something moody gorgeous. Is Proto Blues a genre? Chance leads the lilting & blues-infused bass work through with his usual flair for the excellent yet understated. “Smeagol to Gollum” is my favorite line for 2015. This kind of rhyming seems so much more free, almost like the way it sounded like a while ago. This taste of Nosaj’s (or is it Mr. Thing?) new album, dropping May 5, 2015 gives me a lot of hope for the stuff coming out this year. Hopefully he’ll come back to Web Hall & make a crazy night of it. (off Innovative Leisure / Timetable Records)

Hometown Fire: Wavewhore – Breaks Wizard

Wavewhore put this in my face, and I really couldn’t be happier he did. This is exactly what I needed my breaks to sound like. While people think the genre can’t keep up, I know Vitamin B proves that incorrectly multiple times a year. Wavewhore’s set at VitB proved that this guy knew what he was doing, so when I got this EP in my inbox, I couldn’t be more pleased. The EP is out as of yesterday, and is a duo of dope breaks tracks. You Got It is super well produced, yet quietly all about what makes the genre classically great. Powerful uses a supremely powerful sample and never oversteps its boundaries. Wavewhore makes for a nice little build and break keeping the energy up the entire way through. Get it on Beatport here if you need this for your sets.   If you need him in a little longer format, here’s a mix he did for Birmingham Mountain Radio. Besides that being one of the best names for a radio station I’ve ever heard, the mix is exactly what you need in your life. Here’s to hoping once people get bored of tropical, breaks gets its time in the sun.
He’s got one more surprise for us, a free DL that dropped last week. A heavy rework of Feel That Ammunition by Farace, so now, you’ve got a new EP, a free DL & a mix to keep you satisfied. If you want more, you’ll have to show his social medias some love. Them’s the breaks!

Midnight Music: The Prodigy – Wild Frontier (Wilkinson Remix)

The remix game is just heating up when it comes to The Prodigy’s new album. The Day Is My Enemy is going to spawn a gigantic wave of bomb-ass remixes and this first volley is no exception. Wilkinson bursts out of the gate with this massive release on RAM Records. This is one of those tunes that you just kind of want to flip your hood up and get down with your bad self. It brings out some of the heart inside the amazing Wild Frontier track and adds a fresh dollop of big bass d&b on top of it. Get it now that it’s live on Beatport as well. If you’re into spinning D&B, this track is going to be a must-have this summer. Once The Prodigy starts to get into full swing, these kinds of reworkings are going to be worth their weight in gold. He who remixes best, will win. Now if we could only get The Prodigy to play somewhere on this side of the pond in 2015.

Earworm Of The Month: Si Genaro – When The Last Bird Flies – CLSM Remix [Massive Drum & Bass]

This has been on repeat since I found it at the beginning of March. I’m not entirely sure I’ve ever heard a drum & bass track with this kind of lead time & warning-less drop before. CLSM has been in the scene for a minute now, but I couldn’t recognize the original track or the vocalist. This Si Genaro remix is exquisite and deserves to be nominated for the “Best Amen Break Usage” award. Hey Drum & Bass Awards, if that’s not one yet, get on the stick. It doesn’t seem like it’ll be worth giving it the time that it needs to get where it’s going, but trust me on this one. If there’s any song you need to get to the halfway point on, it’s this one. Especially if you got a flat tire, found out your girl is cheating, or your boss asked you to come in this weekend. Drum & Bass Rising.  

Attend: Delta Heavy, Loadstar & Optical @ Slake ft. Armanni Reign

We had Hospitality, we’re getting Crissy Criss & now, to round out #marchdnbmadness, Slake is closing it out with RAM Records. That’s right, Delta Heavy, Loadstar & Optical are showing up. I am so pleased that attention is being paid to Drum & Bass and I’m hoping this shows producers here in NYC that these shows can sell. Crowds show up ensure that these artsts get booked again & that the old stereotypes of the d&b crowd being a rough night on the bar go out with the night’s profits. Slake will get rowdy so get tickets here for this D&B extravaganza. Continue reading

Midnight Music: Anneliese – Singed Spots [Soulful Indie]

This is a wonderful surprise. Anneliese was sent to me by one of my contacts in VA. I’m really happy he did.  Her EP is a great offering from some fresh talent down south & this track is a highlight off the EP. The choices when it comes to the pacing, synth work & a no-nonsense attitude work perfectly. The German native that’s landed in VA seems to have picked up exactly what she needs to. The lyrical work is sophisticated ,but she still has chops where she needs them. Anneliese is already punching above her weight class. Show her some love and tell her Terry sent you.