You thought she was a one hit wonder, and talked shit about her during her ascent to super-stardom. When you didn’t hear anything, you told your friends she was a one hit wonder and that you never really liked “Heroine” anyway. Guess what, she’s back bitches! Yellow Flicker Beat straddles the line between indie & electronica in a way only she can. This track is the lead single off of the upcoming Hunger Games Mockingjay Part I movie, just in case you didn’t think you were going to hear it a thousand times over the next couple of months. I am unabashedly a fan of her sound and her “zero fucks, do good art” attitude. I hope you’ll join me in getting excited for her next album, while bomping this to your hater friends.
Tag Archives: YouTube
Mix Of The Weekend: UKF Bass Culture 3!
This 13min teaser mix showed up on the UKF YouTube channel today. The quick, neat delightful compilation pulls tracks from Kove, Nero, Feed Me, Buku & a ton more. The mixing is top notch, with the tunes fired out as fast as you’d expect from UKF DJs. This reminder of the vast quality that the label puts out on a regular basis is nice, to the point and available everywhere. The 2 discs have insane amounts of quality, with tracks from Galantis, Pegboard Nerds, Fred V & Graffix, Netsky, Dimension, Noisia & that sweet London Grammar remix by ANDY C. Pick it up on iTunes, and hit up the full playlist on Spotify below!
Amazing Metal Cover Of Aphex Twin’s “Popcorn Song”
Charlie Parra del Riego needs to get hired to some crazy awesome band in the next 5 minutes. Anyone who can play Aphex Twin on a guitar deserves my attention. He also asks (in Spanish) “Don’t forget to post your comment, suggestions or insults in the comments section.” That’s badass. Great job and can’t wait to hear more from this Peruvian wonder. (via Laughing Squid)
Midnight Music: Gladiator – Now We Are Free (Darren Tate Remix) [Classic Trance]
For Throwback Thursday this week, I was reminded of this amazing tune by Trance Emotions, a lovely trance outfit from Egypt. They do a great podcast every week, besides posting track after quality track. This tune takes me back all the way to 2004, when I was living outside of NYC, jamming on dance music in isolation. One of those tracks that gets you through. The Hans Zimmer soundtrack from Gladiator just screamed to be remixed and there was a lot of success around the attempts. Darren Tate’s one of the best UK trance producers out there and his talents were not wasted on this. Take a listen and let it take you away, then check out the Trance Emotions soundcloud for even more delicious trance.
The French “Turn Down For What” In The Rain!
Instead of shutting the damn thing down, the French Open kept the crowd in the stadium and had a mini-dance battle while waiting for the rain to stop. It’s almost as if we don’t need to kick thousands of attendees out of a place just because shit is a little moist(via White Raver Rafting).
Kaskade Is The American Champion Of Modern Dance Music.
(A month or two ago, I was given the honor of writing a long-form article about my favorite homegrown EDM DJ. Kaskade is an American hero. Peep the article and show some love to EDMTunes, who keep letting me yammer on about stuff that I love.)
I was sitting there listening to MIA to LAS (a personal favorite off Kaskade’s Atmosphere), reading about all of his music disappearing from Soundcloud when it struck me. Kaskade is one of the only producers in the industry besides maybe deadmau5 who really gets it. Soundcloud has been bent over a table by the labels when it comes to takedown notices, even when the original creators (i.e. Kaskade and 50,000 other DJs) want them to be available. While I’ve given it up to deadmau5 here before, I wanted to take time to write a love letter to Kaskade. He, in my mind, embodies the absolute best in American dance music, much more than just being America’s Best DJ (which, he totally won last year if you forgot). Not only has he been innovating both sides of the house coin, progressive & deep, but his embrace of the exploding dance music culture in the USA over the last 5 years deserves massive respect. His recent Redux 2014 tour is astonishing and he’s working on more crazy stuff in addition to ways to get his music to his fans directly.
While he grew up in Chicago, he attended university Utah. He took a break from spinning records to serve two years on a mission for The Church of Jesus Christ of Latter-day Saints in Japan. That’s right, he served as a missionary bringing His word to the people in Japan, before Kaskade was ever a thing. After being inspired by a waterfall, he thought maybe “cascade” sounded good, so he got to work. In 2003, “It’s You It’s Me” with the debut album pushed out, creating an amazing, smooth sound that was signature then, even though we had no idea how far he’d go. Or perhaps you did, and I tip my hat to you, EDM hipster 😀
Ayah Marar Gets Ready For The Weekend With NERVO & R3HAB!
While Ayah Marar’s solo work needs no introduction, she’s fast becoming a globally recognized vocalist, doing tune after tune. This is a proper banger that needs to get into your face this Friday. You made it. Labor Day weekend is upon us, and if you’re one of the few souls still stuck in the office, jam out to this and enjoy the poppy drop and glittering break. Not a whole lot of depth needed here. Go party!
ElectronicNightLife Interview: Andy C (at Webster Hall)
(I was lucky to be able to interview the Executioner himself, Andy C at Webster Hall, via Electronic Night Life. Give them some love and check out my interview below.)
Beat It Dubstep Remix Dance Video. Popping With John & Ricardo Walker
Does what it says on the tin. Really fucking well. LA must have crazy dubstep parties. Someone freaking hire these kids.
Midnight Music: Junkie XL vs. Elvis Presley – A Little Less Conversation [Funky Pop]
Throwback Thursday this week is getting a little love from Junkie XL. This hit was all over the place back in 2010, and it still gets me going to this day. The music video has a significant focus on the totally different styles of dance that Americans have been known to employ on the floor. This visual assistance in differentiating parts of the track allow for some fun back and forth with the different movers & shakers. Musically, Junkie XL did an exquisite job staying true to the original, respecting Elvis’ perfect vocals, while adding a bunch of rock-infused kicks that amp up the energy even further. If you’ve not heard this, you owe it to yourself, so get on with it, shut up and dance.