Stupendous. Leah Haxhi needs the highest of fives for creating this. Not only do we have another strong lady taking on covering hip hop, but it’s got gospel & violin in it! This kind of soulful re-working with the gender flip is always going to get some words from me. It’s a fun, well composed indie tune that should both give Leah Haxhi some needed exposure, but signal boost for Lunch Money Lewis in places he may not be heard. The original is below for you to compare & enjoy as well, because, why would I set you up like this and not provide you the comparison right? The take home message here is, I say more ladies with stringed instruments covering hip hop. Can we get a hip lady from Brooklyn to cover Puffy’s discography so we can take back some of that territory? (via Fresh New Tracks)
Tag Archives: Indie
Midnight Music: Coleman Hell – Thumbalina
Tonight, I’m keeping the indie presence here going with this fun little ditty out of Mr. Coleman Hell from Toronto. While I really expected leather, this guy’s got a great sound and so much energy. This kind of upbeat, hopeful, optimistic sound is exactly what you need on Monday night. The lyrics are smart, romantic and may give you a reason to think that you’ll find someone after that last trainwreck. It’s effervescent and that is coming from the old, cynical grumpy Gotham cat himself. It’s entirely difficult to get me to smile this much, so props to Mr. Hell. Can we please get Mr. Hell to be a metal/emo/brutal side project? I mean, probably for my own amusement but it could work? (via Fresh New Tracks)
What Lies Beneath: That Noble Fury On Ludlow. A Sweaty, Rocking Time.
I don’t make it down to Ludlow as often as I used to anymore. I hadn’t found myself in a sweaty basement full of hard-working, hard-drinkings in a while. The allure of DJs and all of that right? A very good friend, a very old friend was performing, and I couldn’t miss it. To the point, he had given me the privilege of being my very first interview. It was a rare full band appearance, so I took my place at the bar, sipping a vintage Miller Light for effect. Continue reading
Shlohmo’s Music Video For “Beams” Is Everything About Being Young In NYC
I am so happy Shlomo has gone down the Daft Punk “no fucks given” track of artistic pursuit & accomplishment. We are all better for it. In keeping with the internet, I got wind of this music video from an Australian blog, though it looks to have been entirely filmed in places I travel weekly. This is the true majesty of the city, especially when you are young, irresponsible, invincible, and for a brief moment some nights, free. The track is a stupendous blend of drum beats, indie synth chords and a great twangy vibe. The track may seem brash & organic, but any fan of Shlohmo knows how exact he can be. Each sound in the song, just like each image in the video is there specifically. This kind of youthful exuberance & brash risk taking has been associated with creativity & rose-colored memories for so many for so long. Shlohmo is able to give us one of the most sophisticated looks at what that’s like, in a raw, dangerous form, in under 4 minutes. Take that Ken Burns. (via Stoney Roads)
Midnight Music: Dan Deacon – Learning To Relax [Seizure-Inducing Music Video]
Welp, this one is a bit much. It’s wonderful, but I wouldn’t recommend projecting the music video or staring directly at it for too long if you have epilepsy. The tune is tremendous. A fusion between chip & indie with whole lot of fun synthwork on the top, but it’s totally only half the story. The serenity of the track is contrasted with an exceptionally simple music video that complicates itself to the point of insanity by mathematics. It may be a lot, and could give the weaker among us nausea. So, listen to it in another window if that’s you. If not, wheee! It’s crazypants.
Midnight Music: Anneliese – Singed Spots [Soulful Indie]
This is a wonderful surprise. Anneliese was sent to me by one of my contacts in VA. I’m really happy he did. Her EP is a great offering from some fresh talent down south & this track is a highlight off the EP. The choices when it comes to the pacing, synth work & a no-nonsense attitude work perfectly. The German native that’s landed in VA seems to have picked up exactly what she needs to. The lyrical work is sophisticated ,but she still has chops where she needs them. Anneliese is already punching above her weight class. Show her some love and tell her Terry sent you.
Midnight Music: SAFIA – Counting Sheep [Aussie Dance Pop]
I’m switching things up for tonight’s Midnight Music. This was a group that I’d been following for the last year or so, after their jaw-droppingly good Paranoia, Ghosts & Other Sounds blew me away 11 months ago. This kind of ethereal dance makes me think of Scissor Sisters and a bunch of distinctly non-American bands that keep it uptempo while not slouching on the vocals. That may or may not be Vincent Price midway in the track, but I really want to focus on the ridiculously excellent vocals that were laid down in this century. There’s an outrageousness that is also creepy at the same time that makes me want more. Frankly, next time I can’t sleep, I have a feeling this is going to get put in my face. Give it up for SAFIA ladies & gentlemen. (via Stoney Roads)
Midnight Music: Archive – End Of Our Days [Indietronica]
Hat tip to The Joy of Violent Movement for becoming my go-to source for indie, alt rock, singer-songwriter, hip hop & all things that you could go hipster over. Tonight, I’ve got some dopeness from Archive, a South London group that gets it right. This group does some great work, especially balancing the organic & synthetic aspects of their production. The beats that come in halfway through the track add dimensions that I was not expecting. It’s an echoic fusion that gives me hope for the future. This is the kind of sound I keep coming back to, putting the best of both out there, for all to see. I am already terribly sad I won’t be able to catch them as they’re still only touring in the UK, but wait for them to go London Grammar on the pop world, and you’ll see what I’m talking about. (via Joy Of Violent Movement)
Steve James Returns To Indie. Rejoice & Be Glad.
So, the progressive wonder Steve James has once again decided to go the Indie route and we are all the better for it. Pulling down a fun little tune called Karaoke by Smallpools, he puts his signature, yet evolving style on it. The infectious beat combines with some excellent re-working of the vocals to make this just as anthemic as we need right now in gray January. Apparently this tune was started in my city, so you know it’s got a bright future. I’m gonna keep saying it. This is what you’d expect to hear halfway between the indie & dance stages at Governor’s Ball. Like, if you stood in the exact right spot. The break at 3:40 is everything that post-big-room can be. Can’t wait for people to complain of how tired they are of this sound. (via the always on point Michelle Chu of EDMTunes)
Midnight Music: Brass Knuckles – Water Gun ft. John Ryan (Popeska Remix) [Indie Electro]
This indie dance rework of Water Gun by Popeska is surprisingly euphoric. 30 seconds in, the chords slap you with the chorus pushing back into your awareness. Brass Knuckles provided a wonderful indie track to remix. With John Ryan providing on point vocals & Brass Knuckles pulling into some fun poppy dance, Popeska takes it and runs with it. It’s got a “Bomping it in your Camaro in the sunset” kind of feel to it, and doesn’t really try to get too heady about it. Does what it says on the tin, and I really want Popeska to get that water gun now. Or a platform for more of that smooth electro gorgeousness.